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Techénko: Jazz Ensemble Conductor Score

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Techénko: Jazz Ensemble Conductor Score

By Rachel Steckler

Grade: 5

Item: 98-JE4021S

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Description
Rachel Steckler has written out the optional conga and sekere parts to aid your percussionist in creating Afro-Cuban rhythms as easily as possible. Check out the performance notes for specific notation used in the conga part. This is an extremely well-written chart worthy of your highest festival or contest considerations. Great material for better bands.

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Additional Details
Series: FJH Advanced Jazz Ensemble
Publisher: The FJH Music Company, Inc.
UPC: 241444599754
SKU: 98-JE4021S

More about this title

About the Composer: Rachel Steckler

Rachel Steckler is a composer and arranger whose writing for jazz ensembles demonstrates a sophisticated understanding of both big band tradition and contemporary idioms. Her work appears regularly in educational jazz programs, where her careful orchestration and pedagogically informed charts have become trusted resources for directors building competitive festival repertoire.

Why we love this

Steckler writes with percussion authority. Rather than leaving conga and sekere parts vague or optional, she notates them with specificity and care, giving your percussionist a clear roadmap for authentic Afro-Cuban grooves. The chart sits at that sweet spot where the writing is ambitious enough to challenge your best players without becoming unnecessarily fussy.

What to expect

Techénko pulses with Afro-Cuban energy. The precisely written conga and sekere parts create a propulsive, authentic rhythmic foundation that lets the ensemble swing and syncopate over a strong Latin groove. The chart feels both contemporary and rooted in tradition.

Who it's for

This conductor score works best for jazz ensembles at the Grade 5 level with experienced percussionists who can handle written Afro-Cuban patterns. Your players should have solid fundamentals in jazz vocabulary and be ready to tackle authentic Latin rhythmic language.

How to get the most out of it

  • Study the performance notes carefully before rehearsal, especially the conga notation symbols. Your percussionist will need to understand Steckler's approach to stroke notation and muting techniques.
  • Lock the conga and sekere parts into the ensemble's overall groove first. Once the rhythmic foundation is solid, the horns will sit more naturally within the Afro-Cuban pocket.
  • Schedule extra rehearsal time for the rhythm section to internalize the cross-rhythms between percussion, bass, and drums before full ensemble run-throughs.

How to use it

Program this for a contest or festival performance where you want to showcase your ensemble's musicianship and your percussion section's capabilities. It pairs well alongside other Latin-inflected charts in a concert that explores global jazz traditions.

Skills your students will build

  • Reading and executing written Afro-Cuban percussion patterns (conga and sekere)
  • Playing jazz vocabulary over Latin rhythmic foundations
  • Syncopation and cross-rhythm coordination within an ensemble
  • Listening to and locking with the rhythm section
  • Interpreting specific percussion notation conventions

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