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Teacher's Choice for the Young Pianist: Piano Book

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Teacher's Choice for the Young Pianist Cover Image

Teacher's Choice for the Young Pianist: Piano Book

Arranged by Allan Small

Level: Early Intermediate / Intermediate

Item: 00-534

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Description
Compiled from a survey conducted among hundreds of U. S. piano teachers, these 64 well-known melodies were selected as being the most popular. Includes: America * American Patrol * America, the Beautiful * Andante Cantabile * Dance of the Hours * España * Fantasy-Impromptu Theme * Für Elise * Give My Regards to Broadway * Hava Nagila * La Cumparsita * Parade of the Tin Soldiers * Pomp and Circumstance * Tarantella in D Minor * Waiting for the Robert E. Lee * Yankee Doodle Boy and many more. With larger notation, fingering, pedaling and phrasing, this edition is perfect for "young" pianists of all ages.

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Additional Details
Publisher: Alfred Music
Page Count: 112
ISBN10: 0-7390-1465-X
ISBN13: 978-0-7390-1465-3
UPC: 038081032207
SKU: 00-534

More about this title

About the Arranger: Allan Small

Allan Small

Allan Small (born Elias Schreibman) came to music through hands-on performance and orchestration rather than formal conservatory training. He began piano lessons at 11, then spent summers playing dance bands in the Catskills before directing his own ensemble at the Arcadia Ballroom in Manhattan. Self-educated in harmony, orchestration, and counterpoint, he went on to arrange for major figures including Andre Kostelanetz, Morton Gould, and Paul Whiteman, with his Kostelanetz scores now housed in the Library of Congress.

In the 1950s and 1960s, Small shifted focus to piano teaching and music publishing under his Schreibman Press imprint, which eventually became Claire Music and was acquired by Alfred Music Publishing. After retiring from full-time instruction, he composed symphonically for Carl Fischer Music Publishers and served as conductor and arranger for the Florida Mandolin Orchestra. Small remained active in both the American Federation of Musicians and ASCAP throughout his career, and pursued painting at the Art Students League in New York. He passed away in 1998, leaving behind over 30 published piano and music arrangements.

Why we love this

This collection draws directly from what hundreds of American piano teachers actually assign and love to teach, cutting through the guesswork of repertoire selection. Allan Small's arrangements prioritize accessible presentation without sacrificing the character of each piece, making these recognizable melodies genuinely playable for students in their early intermediate years. The generous notation, explicit fingering, and pedaling guidance mean less time spent on logistics and more time spent on musical expression.

What to expect

Opening this collection feels like stepping into a well-curated concert of melodies you've always wanted to play. Each piece lands somewhere between familiar comfort and genuine musicianship; you're not playing simplified "pieces for kids" but actual songs and classical themes dressed for accessible performance. The larger print and clear fingering invite you in rather than intimidating you.

Who it's for

Pianists at the early intermediate through intermediate level who want repertoire that sounds substantial and feels rewarding to play. This collection works equally well in a private studio, group piano class, or community recital setting, and appeals to learners of all ages seeking music they recognize and enjoy.

How to get the most out of it

  • Follow Small's pedaling indications closely; they're written specifically to support the harmonic structure and keep the accompaniment from muddying the melody.
  • Use the suggested fingerings as a foundation, but adjust based on hand size and comfort. The fingering shown works for a typical adult hand.
  • Give yourself permission to play at a tempo that feels secure rather than racing toward the indicated tempo marking. Most of these pieces shine at a relaxed pace.
  • Practice the phrasing marks as actively as you would a dynamic change; Small's phrasing groups tell you where phrases breathe and where they connect.

How to use it

These 64 selections provide solid recital repertoire throughout a teaching year, allowing students to perform pieces that family members and friends recognize and enjoy. The breadth of styles within the collection supports thematic programming (American pieces together, classical transcriptions separately, dance music as a set) without requiring supplementary books. Use the collection as a core source for spring recitals or informal student performance events.

Skills your students will build

  • Reading and interpreting pedaling notation in context
  • Phrasing awareness through marked articulation and breathing points
  • Fingering independence and hand position management across varied ranges
  • Sight-reading efficiency with clear notation and consistent presentation
  • Stylistic interpretation of orchestral, classical, folk, and theatrical arrangements
  • Performance confidence through recognition and emotional connection to repertoire

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