Tea for Two: Jazz Ensemble Conductor Score & Parts
By Irving Caesar and Vincent Youmans / arr. Mike Dana
Grade: 2.5
Item: 00-PK-0009573
Pickup currently not available
Buy Extra Parts (Digital PDF Download)
| Product | Price | Quantity |
|---|---|---|
| Tea for Two: Score | $9.00 | |
| Tea for Two: E-flat Alto Saxophone | $3.00 | |
| Tea for Two: 2nd E-flat Alto Saxophone | $3.00 | |
| Tea for Two: B-flat Tenor Saxophone | $3.00 | |
| Tea for Two: 2nd B-flat Tenor Saxophone | $3.00 | |
| Tea for Two: E-flat Baritone Saxophone | $3.00 | |
| Tea for Two: 1st B-flat Trumpet | $3.00 | |
| Tea for Two: 2nd B-flat Trumpet | $3.00 | |
| Tea for Two: 3rd B-flat Trumpet | $3.00 | |
| Tea for Two: 4th B-flat Trumpet | $3.00 | |
| Tea for Two: 1st Trombone | $3.00 | |
| Tea for Two: 2nd Trombone | $3.00 | |
| Tea for Two: 3rd Trombone | $3.00 | |
| Tea for Two: 4th Trombone | $3.00 | |
| Tea for Two: Guitar Chords | $3.00 | |
| Tea for Two: Guitar | $3.00 | |
| Tea for Two: Piano Accompaniment | $3.00 | |
| Tea for Two: String Bass | $3.00 | |
| Tea for Two: Drums | $3.00 | |
| Tea for Two: Flute | $3.00 | |
| Tea for Two: 1st B-flat Clarinet | $3.00 | |
| Tea for Two: Vibraphone | $3.00 | |
| Tea for Two: Tuba | $3.00 | |
| Tea for Two: 1st F Horn | $3.00 | |
| Tea for Two: Baritone T.C. | $3.00 | |
| Tea for Two: 2nd Baritone T.C. | $3.00 |
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Description
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More about this title
About the Composer: Irving Caesar
Irving Caesar (1895-1994) was a prolific American lyricist and composer who shaped the sound of Broadway and popular song during the 1920s and 1930s. His gift for memorable melodies and singable lyrics made him a sought-after collaborator; he worked with Vincent Youmans on several standards that remain central to jazz repertoire today.
Why we love this
This arrangement captures the infectious energy of a classic standard while keeping ensemble demands manageable at Grade 2.5. The Latin cha-cha groove and built-in solo opportunities for alto and trumpet 2 give young jazz ensembles a chance to play with genuine style and share the spotlight.
What to expect
Bright, danceable, and propulsive. The cha-cha rhythm gives the familiar melody a fresh rhythmic identity that feels both accessible and sophisticated. There's a lightness and joy to the groove that invites the ensemble to settle in and swing.
Who it's for
Young jazz ensembles at the intermediate level who are ready for authentic grooves and small-group featured passages. This works well for groups building confidence with Latin feels and learning to support soloists within a full ensemble texture.
How to get the most out of it
- Lock the rhythm section into the cha-cha pulse at 126 BPM; this groove is the foundation for everything else.
- Balance the lead trumpet solo so it sits naturally above the ensemble without overwhelming the texture.
- Encourage the alto and trumpet 2 soloists to phrase over the bar line and respond to the rhythm section's pocket.
- Keep the Latin percussion definition clear, especially the clave rhythm that shapes the entire feel.
How to use it
Program this as an opener or early-concert energizer to set a celebratory tone. It pairs well with other Latin or standard-based charts and works equally in a concert setting or social dance event. The moderate length and engaging solos make it rewarding without demanding extended rehearsal time.
Skills your students will build
- Reading and maintaining Latin cha-cha rhythm while balancing melody and accompaniment
- Supporting and accompanying featured soloists within an ensemble context
- Lead trumpet range and articulation in the upper register (written G)
- Comping and listening skills for jazz rhythm section
- Phrasing and solo construction over repeated harmonic changes