Te Deum in C, K. 141/66b Cover Image

Te Deum in C, K. 141/66b: Full Orchestra Conductor Score & Parts (Score contains limited instrumentation)

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Te Deum in C, K. 141/66b Cover Image

Te Deum in C, K. 141/66b: Full Orchestra Conductor Score & Parts (Score contains limited instrumentation)

By Wolfgang Amadeus Mozart

Item: 36-A267802

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Description
Wolfgang Amadeus Mozart's (1756-1791) single setting of the Latin Christian hymn Te Deum was likely completed and first performed in 1769. All of the winds/brass, timpani, and the violas are not included in the score, suggesting that they are optional, although Mozart's manuscript being lost makes it more difficult to determine his intent. While the very earliest parts include two clarini (high trumpets) in addition to the two C trumpet parts, those clarini parts are played by oboes in this edition. Three trombones are also listed, but those parts appear to be missing. Instrumentation: 0.2.0.2: 0.2.0.0: Timp: Org: Str (4-4-3-3-3 in set): Mix Chorus (choral score available separately).

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Additional Details
Series: Kalmus Choral Library
Publisher: Keiser Productions, Inc.
UPC: 676737664732
SKU: 36-A267802
Instrumentation: Detailed Instrumentation: 0.2.0.2: 0.2.0.0: Timp: Org: Str (4-4-3-3-3 in set): Mix Chorus

More about this title

About the Composer: Wolfgang Amadeus Mozart

Wolfgang Amadeus Mozart (1756-1791) was an Austrian composer whose prolific output spanned symphonies, concertos, operas, chamber music, and sacred works. Despite his short life, he mastered every genre of his era and left a catalog of over 600 compositions that defined Classical music.

Mozart's sacred music reveals his deep engagement with liturgical tradition. His settings of Latin texts, including this Te Deum, demonstrate his ability to write for large forces with clarity and devotion while maintaining the harmonic sophistication and melodic beauty that characterize his best work.

Why we love this

This score offers conductors a lean, elegant Te Deum that works beautifully with modest forces. The optional winds and brass create flexibility for ensembles at different budget and size levels, while the core of strings, organ, and chorus delivers Mozart's liturgical intent with clarity and warmth.

What to expect

Reverent and luminous. The Te Deum unfolds with Classical restraint and spiritual directness, built on transparent textures where every voice line emerges clearly. The string foundation and organ continuo create warmth beneath the chorus, while moments of orchestral color arrive with purpose rather than spectacle.

Who it's for

Conductors leading choirs with orchestral accompaniment who want a shorter, manageable sacred work for Christmas services, liturgical concerts, or educational performances. This edition serves ensembles seeking authentic Mozart without the complexity of larger-scale sacred works.

How to get the most out of it

  • Balance the organ continuo so it supports harmonic definition without overwhelming the choral lines; this is especially important in passages where the orchestra is sparse.
  • Shape the string writing with attention to Mozart's phrase architecture; avoid rhythmic heaviness in passages marked with repeated figures.
  • If you include timpani, use it sparingly and with restraint; Mozart notates it infrequently, and its impact relies on judicious placement rather than volume.
  • Ensure the oboes (covering the clarini parts in this edition) sit forward enough in the texture to provide the brightness Mozart intended in the high register.

How to use it

Pair this with other concise Mozart sacred works or shorter Renaissance hymn settings to create a focused liturgical program. Its brevity and accessibility also make it suitable for educational performances where singers need a substantial but manageable Mozart experience.

Skills your students will build

  • Reading and singing Latin text with historically informed pronunciation
  • Balancing voices in four-part writing while maintaining clarity against orchestral accompaniment
  • Understanding optional instrumentation and how to adapt scores for available forces
  • Ensemble listening and blending with strings and organ continuo

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