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Tantum Ergo: Choral Score

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Tantum Ergo Cover Image

Tantum Ergo: Choral Score

By Gabriel-Urbain Faure

Item: 36-TC950

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Description
Gabriel Faure wrote at least three versions of Tantum Ergo. Faure Opus 62, No. 2 was written in 1894 for SSA Choir with organ (or Piano) accompaniment.

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Additional Details
Series: TetraContinuo - LudwigMasters
Publisher: Keiser Productions, Inc.
UPC: 660355197093
SKU: 36-TC950
Instrumentation: Three-Part Chorus of Treble Voices

More about this title

About the Composer: Gabriel-Urbain Faure

Gabriel Faure (1845-1924) stands among the most refined voices in French choral and chamber music. His harmonic language, marked by subtle chromaticism and elegant voice leading, profoundly shaped early twentieth-century music and continues to define the sound of treble choir repertoire.

Faure composed extensively for the church, creating works that balance liturgical function with artistic depth. His multiple versions of Tantum Ergo demonstrate his commitment to making sacred texts accessible across different vocal configurations and occasions, from cathedral services to concert settings.

Why we love this

This setting sits at the sweet spot between accessible treble writing and genuine musical substance. Faure's harmonic vocabulary feels fresh to singers accustomed to Victorian hymn tune arrangements, yet the piece remains singable by developing choirs while offering interpretive depth that keeps experienced ensembles engaged.

What to expect

Tantum Ergo unfolds with quiet reverence and harmonic sophistication. The piece glows with the gentle radiance of French liturgical tradition, its carefully voiced chords creating warmth and spiritual intimacy without dramatic gesture.

Who it's for

Directors seeking substantial yet manageable treble repertoire will find this score essential. It serves ensembles ranging from developing intermediate choirs to established community or school groups looking for sacred music with genuine artistic weight.

How to get the most out of it

  • Shape the piece through dynamic control and phrase breathing rather than tempo variation. Faure's economy of gesture demands careful attention to the swell and release of each phrase.
  • Balance the three parts so no single voice dominates the harmonic color. This excerpt benefits from a blended, unified treble sound rather than distinctly separated lines.
  • Work with your accompanist to achieve clarity in the organ or piano part. The accompaniment carries significant harmonic material and should support rather than obscure the choral texture.
  • Attend closely to vowel unification across the phrase. French text and Faure's extended harmonies expose inconsistency; unified vowels make intonation and blend immediate.

How to use it

Pair this with other French sacred settings to build a concert centered on Gallic choral elegance, or program it as a centerpiece in a service of worship. Its modest scale and flexible accompaniment make it equally at home in a concert hall or sanctuary.

Skills your students will build

  • Managing extended harmonic progressions with chromatic voice leading
  • Singing French text with idiomatic phrasing and pronunciation
  • Blending three parts into unified harmonic color
  • Sustaining and shaping long phrases with minimal vibrato
  • Responding to the accompanist's harmonic support and pacing

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