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Tangos and More: Six Dances for String Quartet: String Quartet Full Score & Parts

$34.99 USD
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Tangos and More: Six Dances for String Quartet Cover Image

Tangos and More: Six Dances for String Quartet: String Quartet Full Score & Parts

By Michael McLean

Grade: 4.5

Item: 36-52703307

$34.99
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Description
At first glance, this collection of Tangos, Rhumbas, and even a gypsy Csardas looks tricky; but when you play them you find that they're all very playable and very exciting.  This will liven up any performance!

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Additional Details
Series: Latham Music - LudwigMasters
Publisher: Keiser Productions, Inc.
Page Count: 100
ISBN10: 1-62-156924-1
ISBN13: 978-1-62-156924-4
UPC: 830056003072
SKU: 36-52703307

More about this title

Why we love this

McLean has written these dances with genuine playability in mind; the parts sit well for intermediate ensembles without sacrificing the infectious energy and rhythmic character that makes each piece feel authentic. You get six distinct numbers spanning tango, rumba, and csardas that work equally well as standalone pieces or as a cohesive set, giving you real programming flexibility.

What to expect

Each piece pulses with the rhythmic swagger of its dance tradition. The tangos bristle with syncopation and minor-key melancholy; the rumbas invite a looser, more sensual swing; the csardas builds from folk-like simplicity into passionate intensity. You're playing actual dances, not concert music that merely borrows their names.

Who it's for

String quartets at the intermediate level (Grade 4.5) looking for repertoire that combines genuine musicality with technical accessibility. This collection works for student ensembles preparing for competitions or community performances, as well as young professionals developing a diverse recital program.

How to get the most out of it

  • Anchor the rhythmic vitality with a steady pulse in the cello and viola parts; these dances live and die by their rhythmic precision, so lock the lower voices first before polishing the melodic line.
  • Lean into the stylistic character of each dance rather than playing them as generic string quartet fare. The tango needs different articulation and phrasing than the rumba; study recordings of each genre to inform your ensemble's interpretation.
  • Balance the first violin melody against the accompaniment figures. These pieces are designed to showcase the lead line, but a good accompanying texture keeps the music from feeling thin.

How to use it

Use this collection to add warmth and variety to a concert heavy on standard quartet repertoire. The dances work beautifully in the second half of a program, offering contrast to classical or romantic material, or program them as a complete suite to showcase your ensemble's stylistic range and rhythmic maturity.

Skills your students will build

  • Rhythmic precision in syncopated and Latin-influenced meters
  • Stylistic phrasing and articulation across tango, rumba, and csardas idioms
  • Balance between melody and accompaniment in a four-part texture
  • Intonation and ensemble blend in middle-register string writing

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