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Tango Lullaby for Orchestra: Full Orchestra, Ensemble Works Conductor Score & Parts

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Tango Lullaby for Orchestra Cover Image

Tango Lullaby for Orchestra: Full Orchestra, Ensemble Works Conductor Score & Parts

By Don Gillis

Item: 36-A600690

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Description
Written by American composer Don Gillis (1912-1978), the Tango Lullaby (1956) was originally meant to be a movement of a ballet called Twinkletoes that Gillis abandoned because he discovered that the story had been done previously. The composer repurposed the music in a Suite from Twinkletoes, and this single movement has been extracted here. This dance-work would be a wonderful addition to any pops-style program. Instrumentation: 2.2.2+BCl.2: 3Sax(AAT): 4.3.3.1: Perc(1-2): Pno(Clst): Str (9-8-7-6-5 in set).

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Additional Details
Series: Kalmus Orchestra Library
Publisher: Keiser Productions, Inc.
UPC: 735816327668
SKU: 36-A600690
Instrumentation: Full Orchestra, Ensemble Works

More about this title

About the Composer: Don Gillis

Don Gillis (1912-1978) was an American composer, conductor, and educator who spent much of his career in radio and television. He wrote prolifically across genres, from symphonies and band works to popular music and film scores, establishing himself as a versatile voice in mid-twentieth-century American composition. His gift for melody and orchestration made him a natural fit for both concert hall and broadcast studio, and his works remain staples in pops programming and educational ensembles.

Gillis taught composition and theory at institutions including Southern Methodist University, where he shaped generations of American composers. His approachable style and clear orchestral writing made complex music accessible to students and audiences alike, a philosophy evident in works like Tango Lullaby.

Why we love this

Gillis captures the rhythmic swagger and lyrical warmth of the tango without requiring your orchestra to navigate dense harmonic language. The orchestration sits beautifully across your full ensemble (including saxophones and piano), and the piece delivers immediate musical payoff for players while sounding far more substantial than its modest technical demands suggest. It's the kind of work that reminds audiences why pops concerts matter.

What to expect

A sultry, rhythmic world where the tango's insistent pulse meets the dreamlike quality of a lullaby. The piece sways and sways back, balancing sophistication with warmth; it's music that makes you want to listen and move at once. Gillis captures the romance of the dance form while softening its edges with lyrical orchestral writing.

Who it's for

This score and parts set is designed for orchestras and large ensembles looking to program accessible, colorful music that engages audiences at pops or family concerts. Conductors will appreciate Gillis's transparent orchestration and straightforward conducting, while the full instrumentation (including saxophones) makes it ideal for advanced high school orchestras, college ensembles, or professional orchestras seeking lighter repertoire.

How to get the most out of it

  • Balance the tango's characteristic syncopated rhythms in the lower strings and saxophone sections; these voices establish the idiom's identity, so keep them present without overpowering the melody line.
  • Shape the lullaby element through sustained, singing phrases in the upper strings and woodwinds. The piece bridges dance and lullaby, so avoid playing it as pure rhythm; let the lyrical content breathe.
  • Use the piano and percussion to anchor the ensemble's forward motion. The tango groove depends on a steady pulse from these voices, particularly in passages where the full orchestra joins in.
  • Work the dynamic arc across the full movement. The piece benefits from clear contrasts between softer, more intimate sections and fuller orchestral passages that showcase the ensemble's color.

How to use it

Program Tango Lullaby as a centerpiece in a pops concert or as a bridge between classical and lighter fare in a mixed repertoire concert. Its modest length and bright orchestration make it ideal for opening a second half or following a heavier contemporary work. It also works beautifully as part of a Latin American or dance-themed concert segment.

Skills your students will build

  • Performing syncopated tango rhythms across multiple instrumental sections
  • Balancing layered textures that combine dance rhythms with lyrical melody
  • Responding to conductor's shaping of dynamic and expressive phrases
  • Coordinating saxophone, brass, and string sections in a non-traditional ensemble color

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