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Tango la Invitación: 4 Saxophones SATBar & Percussion Ad Lib Conductor Score & Parts

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Tango la Invitación Cover Image

Tango la Invitación: 4 Saxophones SATBar & Percussion Ad Lib Conductor Score & Parts

Saxophone Quartet (SATB) and Two Optional Percussion Players

By Mike Curtis

Item: 01-ADV7639

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Description
"Tango la Invitación" blends tango style with elements of klezmer music. Arranged for saxophone quartet (SATB) and two optional percussion players.

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Additional Details
Series: Advance Music
Publisher: Advance Music
UPC: 805095076394
SKU: 01-ADV7639
Instrumentation: 4 Saxophones SATBar & Percussion Ad Lib

More about this title

Why we love this

Curtis finds something genuinely fresh in the tango-klezmer fusion, avoiding the trap of making it feel like two genres awkwardly stitched together. The optional percussion parts keep things flexible for groups of different sizes, and the writing sits comfortably in the saxophone quartet sound without requiring virtuosity beyond reach.

What to expect

Sultry and sophisticated, with a hint of mischief. The tango's inherent drama plays against unexpected melodic twists borrowed from klezmer tradition, creating a piece that feels both familiar and distinctly its own.

Who it's for

Intermediate to advanced saxophone quartets looking for repertoire with genuine personality and reasonable technical demands. Directors building programs that feature chamber configurations will appreciate having a piece that works equally well in an intimate setting or as part of a larger concert.

How to get the most out of it

  • Nail the rhythmic precision early. Tango requires an almost metronomic pulse underneath the expressive moments, so lock the rhythm section (saxophones and percussion) before layering in rubato.
  • Explore the klezmer inflections as ornamental rather than structural. Let the baritone and alto explore bent notes and grace notes in passages marked for that character, but don't let it disrupt the tango's fundamental drive.
  • Record a rough take with just the rhythm parts before the full ensemble rehearsal. This helps everyone internalize the groove without getting lost in full-band texture.
  • Consider whether you'll use the percussion or not well before your first rehearsal. The optional parts aren't afterthoughts; they change the character significantly, and your players need clarity on your choice.

How to use it

This works beautifully as a bridge piece between a classical set and contemporary material, or as an unexpected addition to a Latin music showcase. Its moderate length and flexible instrumentation also make it ideal for a chamber concert or preconcert performance before your main ensemble.

Skills your students will build

  • Stylistic control in tango rhythm (syncopated accompaniment figures paired with lyrical melodic phrasing)
  • Reading and executing ornamental techniques from klezmer idiom (bent notes, grace note articulation, modal inflection)
  • Balancing harmonic clarity across a four-part saxophone voicing
  • Ensemble blend and balance when working with optional percussion additions
  • Rhythmic independence within a tight ensemble framework

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