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Tales of Dundee: Concert Band Conductor Score & Parts

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Tales of Dundee Cover Image

Tales of Dundee: Concert Band Conductor Score & Parts

By Robert Sheldon

Grade: 2.5 (Medium Easy)

Item: 00-23310

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Description
Tales of Dundee is a delightful medley of three Scottish folk songs: "Loch Lomond," "Fare Thee Well Love," and "The Piper of Dundee." Conductors will appreciate the expert scoring while audiences and performers will enjoy the tunefulness of these lovely melodies and the rhythmic energy inherent in this outstanding setting of these wonderful tunes. This title is available in MakeMusic Cloud.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Tales of Dundee: Concert Band Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Young Symphonic
Publisher: Alfred Music
Page Count: 260
UPC: 038081239866
SKU: 00-23310

More about this title

About the Composer: Robert Sheldon

Robert Sheldon

Robert Sheldon's compositions for wind band appear on festival and contest schedules across the globe, establishing him as one of the most frequently programmed voices in the medium. His work bridges accessibility and artistic substance, a balance that has earned him recognition from the American School Band Directors Association, Phi Beta Mu, and ASCAP, along with a 2020 honorary doctorate from VanderCook College of Music.

Beyond composition, Sheldon shapes the field through his role as lead author of Sound Innovations for Concert Band and through his extensive work as a guest conductor, clinician, and educator. He has appeared before honor bands across the United States and internationally in Japan, Canada, Italy, Germany, Australia, and China, conducting his own works in venues including Carnegie Hall, Boston Symphony Hall, the Sydney Opera House, and the Kennedy Center.

Why we love this

Sheldon's approach to folk song arrangement respects the tunefulness of the melodies while creating genuine musical satisfaction at the Grade 2.5 level. The scoring delivers the kind of transparent, idiomatic writing that lets student musicians breathe while maintaining rhythmic drive and harmonic interest that keeps conductors engaged.

What to expect

Warm and approachable, with the kind of melodic charm that lands well in concert halls and festivals. The arrangement honors the Scottish roots of these folk songs while maintaining a modern, energetic orchestration that feels contemporary and alive rather than antiquated or overly sentimental.

Who it's for

Band directors programming Grade 2.5 ensembles that want genuine musicality without excessive technical demands. This score works equally well for community bands seeking charming, performable repertoire and for school programs building confidence in younger or less experienced players.

How to get the most out of it

  • Balance the tune in whichever section carries it during each folk song. Sheldon's voicing is clear, but young ensembles benefit from a moment of rehearsal time devoted to identifying who has the melody in each section and making that line slightly more prominent.
  • Lock the articulation style early. The Scottish character relies on consistent tonguing and release across all sections, especially in the rhythmic figures that anchor the middle section.
  • Use the key changes as natural breathers. Rather than rushing through transitions, give the ensemble a moment to reset before entering each new folk song. This prevents the medley from feeling rushed and lets audiences enjoy the contrast.

How to use it

Program this early in a concert to establish audience goodwill and ensemble comfort before moving to more demanding works. Its medley format makes it an efficient choice for festival play, and its inherent tunefulness pairs well alongside contemporary educational pieces or as a bridge between classical and contemporary selections.

Skills your students will build

  • Balancing lyrical melody within a full ensemble texture
  • Executing consistent articulation across mixed section groupings
  • Managing key changes and transitions between contrasting folk melodies
  • Playing with rhythmic clarity in sections featuring syncopation and folk-style rhythmic figures

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