Tale of the Tempest Cover Image

Tale of the Tempest: Late Intermediate Piano Sheet

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Tale of the Tempest Cover Image

Tale of the Tempest: Late Intermediate Piano Sheet

By Gretchen Heller

Item: 98-W9166

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Description
Dynamic, yet romantic, Tale of the Tempest contains both right-hand and left-hand melody, legato pedaling, changing keys and chord inversions. This superb solo, which also features syncopation, parallel 3rds, and octaves, will make a great recital piece.

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Additional Details
Series: Written For You
Publisher: The FJH Music Company, Inc.
UPC: 674398211074
SKU: 98-W9166

More about this title

Why we love this

Heller gives both hands real melodic material here, which keeps students engaged throughout and prevents the common late intermediate trap of one hand doing all the heavy lifting. The romantic character paired with genuine technical demands makes this a recital piece that feels substantial without becoming overwrought.

What to expect

Dramatic yet tender, like watching a storm roll in from a distance. The piece moves between moments of stormy energy and quieter, introspective passages, with the keyboard responding to shifts in mood through its harmonic and textural choices.

Who it's for

Late intermediate pianists preparing for recitals or festivals who want a piece with real character and technical diversity. Students ready to handle key changes and pedal work without needing to sight-read something at the advanced level.

How to get the most out of it

  • Shape the legato pedaling carefully around the harmonic changes; lift slightly before key shifts to keep the texture clear rather than blurred.
  • Bring out the left-hand melody when it appears by thinking of it as a countermelody rather than accompaniment, adjusting your voicing so both lines breathe together.
  • Let the syncopation create gentle forward motion without rushing; this isn't ragtime, so the rhythm should feel natural and conversational within the romantic character.
  • Practice the parallel 3rds and octaves separately to build security, then work them back into tempo with attention to consistent weight between both hands.

How to use it

Slot this into a recital where you need a contrasting solo between something classical and something contemporary, or pair it with chamber works that share a romantic sensibility. It also works well as a culminating piece in a spring recital for a student who's spent the year building facility with intermediate techniques.

Skills your students will build

  • Legato pedaling with harmonic awareness across key changes
  • Playing independent melody lines in both hands
  • Voice leading with chord inversions
  • Syncopated rhythm within a lyrical context
  • Parallel motion in 3rds and octaves at tempo
  • Modulation and tonal navigation

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