Takin' It To The Streets Sheet Music Preview

Takin' It To The Streets: SAB Choral Octavo

As performed by Taylor Hicks / As performed by Michael McDonald / As performed by The Doobie Brothers / As performed by Doobie Brothers / Arranged by Roger Emerson

Item: 35-DS00291460

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Additional Details
Publisher: Hal Leonard
Page Count: 2
SKU: 35-DS00291460

More about this title

About the Artist: Taylor Hicks

Taylor Hicks rose to prominence as the winner of American Idol's fifth season in 2006, bringing a soulful, bluesy sensibility to pop music that set him apart from typical chart-topping singers. His raspy vocal delivery and genuine connection to R&B and soul traditions made him a natural interpreter of classic material, particularly songs that blend pop accessibility with deeper emotional roots.

Why we love this

Roger Emerson's arrangement captures the infectious groove and radio-friendly appeal of this classic without sacrificing singability for a three-part choir. The SAB voicing keeps ranges manageable while maintaining the song's energetic swagger, making it accessible for choirs that want contemporary pop credentials without programming something disposable.

What to expect

Smooth, confident, and effortlessly cool. The arrangement carries the original's laid-back groove and urban swagger while settling comfortably into three voices, creating that satisfying moment when a familiar song suddenly becomes part of your ensemble's sound.

Who it's for

Choirs seeking repertoire that resonates with singers and audiences alike will find this arrangement delivers the goods. Any director building a concert that spans genres or wants to showcase students' ability to nail contemporary pop with musical integrity should consider this one.

How to get the most out of it

  • Lock the rhythmic pocket early in rehearsals; this tune lives or dies by groove consistency, so spend time on steady eighth-note feels and synchronized articulation across all three parts.
  • Balance the melody clearly so the top line cuts through, especially if you're using any accompaniment or doubling the alto and bass lines to thicken the texture.
  • Let the lyrics breathe naturally. These are conversational words with attitude, not classical poetry, so encourage singers to inhabit the casual confidence of the original rather than over-singing the phrases.

How to use it

Pair this with other Motown-influenced pop or classic soul covers to build a cohesive set, or use it as a palate cleanser between heavier classical pieces to remind audiences that choral singing spans the full spectrum of American music. It works equally well on spring concerts, pops nights, or any program where you want contemporary credibility.

Skills your students will build

  • Rhythmic precision in pop and R&B grooves
  • Balancing melody and harmony in three-part texture
  • Stylistic interpretation of contemporary vocal phrasing
  • Ensemble blend while maintaining individual line clarity

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