Take The Music With You Sheet Music Preview

Take The Music With You: SATB Choral Octavo

By Joseph M. Martin / Arranged by Brad Nix

Item: 35-DS01289560

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Additional Details
Publisher: Hal Leonard
Page Count: 9
SKU: 35-DS01289560

More about this title

About the Composer: Joseph M. Martin

Joseph M. Martin

Joseph M. Martin studied piano performance at Furman University and later earned his master's degree from the University of Texas at Austin, where he subsequently taught in the Piano Pedagogy Department for five years. A seasoned performer, he has given solo recitals across the United States and Mexico, appeared as featured artist with symphony orchestras, and won the Nina Plant Wideman Competition, which led to a performance with the Guadalajara Symphony Orchestra. His recital at Ex-convento del Carman was broadcast nationally.

Today, Martin divides his time between composing and arranging choral works and performing at churches and conferences for church musicians. His compositions and arrangements have been heard in venues ranging from Carnegie Hall to hundreds of worship services across the United States and Canada. He resides in Austin, Texas with his wife Sue and their children Jonathan and Aubrey.

Why we love this

Martin's gift for writing singable melodic lines shines throughout this work, making it accessible for developing choirs while maintaining musical substance. The arrangement feels fresh and contemporary without sacrificing the reverent tone appropriate for sacred settings, giving your singers material they'll actually enjoy learning.

What to expect

Warm and inviting, with melodies that feel both contemporary and timeless. The piece balances moments of gentle introspection with passages of confident, shared expression, creating a sense of gathered community.

Who it's for

This octavo works well for developing SATB choirs seeking concert or worship repertoire with genuine musical depth. It suits both community and church choirs looking for accessible material that doesn't sacrifice artistry.

How to get the most out of it

  • Establish a warm, legit tone in the soprano line from the start; this sets the character for how the other voices should blend beneath it.
  • Work the rhythm section (particularly soprano and alto) as a unit early in rehearsal to lock the harmonic foundation before adding tenor and bass.
  • Balance the homophonic passages by having singers shape the phrase ends rather than holding full volume straight through to the fermata.
  • Record a reference track early; singers benefit from hearing how the voices sit together, especially in the sustained sections.

How to use it

Include this in a spring concert alongside other Martin arrangements to create a cohesive set, or feature it as the centerpiece of a sacred music program in a worship service where meaningful text setting will resonate with your congregation.

Skills your students will build

  • Legit vocal tone production in multiple voice parts
  • Sustaining long note values with musical shape
  • Blending four-part harmony with balanced dynamics
  • Interpreting text in a sacred context with appropriate reverence

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