Take on Me Sheet Music Preview

Take on Me: Concert Band Conductor Score & Parts

As performed by Aha / As performed by a-ha / As performed by Pal Waaktaar / As performed by Morton Harket / As performed by Magne Furuholmne / Arranged by Paul Murtha

Grade: 3

Item: 35-PK00321077

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Description
Recorded by Norwegian pop band A-ha in 1985, this familiar tune has taken on a life of its own becoming one of the top selling singles of all time. Paul's effective version for concert band provides plenty of variety in scoring, and retains the exciting flavor of the original including the signature half-time feel in the chorus. Dur: 2:15

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Additional Details
Publisher: Hal Leonard
SKU: 35-PK00321077

More about this title

About the Artist: Aha

A-ha formed in Oslo in the early 1980s, uniting the songwriting and vocal talents of Magne Furuholmen, Morten Harket, and Pål Waaktåar. Their 1985 debut album "Hunting High and Low" became a global phenomenon, anchored by "Take on Me" which climbed charts worldwide and established the band as a fixture of 1980s pop culture. The trio's sophisticated pop sensibility combined electronic production with strong melodic instincts, creating songs that remain instantly recognizable decades later.

In the context of concert band repertoire, A-ha's catalog offers arrangers and directors access to melody-driven material with immediate student and audience engagement. The band's work demonstrates how pop songwriting principles can translate effectively to instrumental ensembles, making their compositions valuable teaching tools for contemporary music programming.

Why we love this

Paul Murtha's arrangement captures what makes the original irresistible while reshaping it thoughtfully for concert band textures. The incorporation of the signature half-time chorus feel gives students a memorable structural landmark to lock onto, and the varied scoring keeps rehearsals fresh as different sections carry the melodic spotlight.

What to expect

Immediate and infectious energy that pulls listeners in within seconds. The half-time chorus shifts into a groovy, almost hypnotic pocket that contrasts beautifully with the driving sections, creating dynamic momentum that feels contemporary yet substantial for a concert setting.

Who it's for

Concert bands seeking repertoire that resonates with student musicians and audiences alike. The Grade 3 level makes it accessible to developing ensembles while the pop pedigree keeps rehearsals engaging and energized.

How to get the most out of it

  • Balance the exposed melody line carefully during the chorus half-time feel; this rhythmic shift needs clarity from your lead voices so the audience recognizes the signature moment.
  • Layer in the accompaniment gradually during rehearsals to help students hear how the arrangement builds texture; isolate the rhythm section first, then add harmonic voices.
  • Shape the dynamic arc across the 2:15 duration to avoid plateauing; plan your crescendos around the arrangement's scoring variety rather than playing consistently loud.
  • Reference the original recording during sectional rehearsals so your musicians understand the character they're interpreting, especially the electronic production's crisp articulation.

How to use it

Place this mid-program to shift energy and demonstrate your band's range beyond traditional wind band fare. The familiar melody makes it an excellent choice for community concerts where audience connection matters, and its compact length allows programming flexibility.

Skills your students will build

  • Recognizing and executing half-time metric feels within a single arrangement
  • Balancing melody and accompaniment in pop-influenced voicings
  • Maintaining consistent groove and articulation in rhythmic passages
  • Responding to varied textural scoring demands across the ensemble

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