Take Five: Piano Digital Sheet Music

Take Five: Piano Digital Sheet Music

Paul Desmond

Item: 00-PS-0007417

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$3.99
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SKU: 00-PS-0007417

More about this title

About the Creator

Dave Brubeck (1920, 2012) was a pianist and composer who fundamentally expanded what jazz could be. His formal training in classical music gave him an unusual harmonic vocabulary for jazz, and he wasn't afraid to write in unusual time signatures when the melody demanded it. Brubeck's quartet became one of the most commercially successful jazz groups in history, proving that adventurous music could reach mainstream audiences without compromise.

Take Five, composed by saxophonist Paul Desmond and recorded on Brubeck's 1959 album Time Out, became one of the best-known jazz standards in the world. The piece's 5/4 meter was a genuine oddity for popular music at the time, yet the melody is so natural and the groove so infectious that it sounds inevitable. Desmond's restraint and lyricism balanced Brubeck's harmonic sophistication, creating a piece that works equally well as a listening experience and a vehicle for ensemble improvisation.

Why we love this

Take Five is the rare jazz standard that sounds both accessible and undeniably sophisticated. The piece's steady 5/4 groove and clear harmonic structure make it compelling for pianists developing jazz vocabulary, while the rhythmic foundation demands real precision and feel.

What to expect

Cool, poised, and propulsive all at once. Take Five glides forward on a steady 5/4 foundation, with a melody that feels both elegant and grounded. The piece breathes with restraint; it never pushes, but it never stops moving.

Who it's for

Pianists with intermediate jazz skills who are ready to explore the melodic and rhythmic interplay of a genuine jazz classic. This piece works well in recital settings, jazz combos, or as a solo feature for students confident with swing rhythm and modal harmony.

How to get the most out of it

  • Establish the characteristic 5/4 pulse early in rehearsal by tapping along with a metronome; the grouping (usually felt as 2+3) becomes intuitive once your body locks into it.
  • Let the left hand lay down the foundational groove rather than rushing; space and restraint define the cool, modal quality of this piece.
  • Listen to the original recording to absorb the specific articulation and swing feel; the subtle timing inflections are what make the standard work.
  • Balance the melody's visibility with the harmonic movement underneath; both layers carry equal weight in the arrangement.

How to use it

Feature this in a jazz-themed recital or as a stylistic contrast in a program mixing classical and contemporary repertoire. It's also an excellent solo vehicle in a jazz ensemble performance, allowing the pianist to shine without requiring accompanying musicians.

Skills your students will build

  • Reading and executing 5/4 meter with fluidity
  • Swing rhythm and jazz articulation
  • Modal harmony and chord extensions
  • Left-hand groove and comping independence
  • Phrasing and pacing in a jazz context

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