Take A Chance On Me: 3-Part Mixed Choral Octavo

Ed Lojeski's arrangement captures the infectious hook and rhythmic vitality of the original while scaling it perfectly for mixed voices. The 3-part voicing stays singable across a range of choir levels, yet the orchestration and harmonic detail keep strong singers engaged. Directors will appreciate how accessible this is without feeling thin or oversimplified.

Buoyant and joyful, with that unmistakable ABBA sparkle. The arrangement keeps the song's warmth and humor intact while giving singers room to deliver the catchy hook with confidence and style. There's a lightness to it that energizes a concert without feeling frivolous.

Mixed choirs at the intermediate level and above will find this a rewarding addition to pop and concert programming. It works equally well for show choirs exploring disco repertoire or traditional choirs wanting to engage audiences with repertoire they actually know and love.

• Nail the rhythmic precision from the opening bars. The disco groove lives in crisp ensemble attacks and steady pulse; any looseness in the first phrase sets the wrong tone for the entire piece.
• Shape the melody line with intentional phrasing rather than letting it sit flat on the beat. The original's appeal comes partly from subtle rubato and expressive contour.
• Balance the three parts so the top line sings through without the lower voices disappearing. Test your mix in the fuller sections where all parts are moving.
• Let the recorded accompaniment drive your tempo and rhythmic feel. This is a song built on groove, not on flexibility.

Pair this with other 1970s pop standards or film song arrangements for a thematic concert that connects with audiences beyond traditional choral demographics. It also works as a standalone crowd-pleaser near the end of a program when you want to send the audience out smiling.

• Rhythmic precision in disco and syncopated pop styles
• Blend and balance across three-part voicing
• Ensemble intonation under rhythmic momentum
• Expressive phrasing in a groove-based context
• Part independence while maintaining group cohesion