T-R-O-U-B-L-E Sheet Music Preview

T-R-O-U-B-L-E: SATB Choral Octavo

By Jerry Chesnut / As performed by Travis Tritt / As performed by Elvis Presley / Arranged by Ed Lojeski

Item: 35-DS00142745

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Additional Details
Publisher: Hal Leonard
Page Count: 10
SKU: 35-DS00142745

More about this title

About the Composer: Jerry Chesnut

Jerry Chesnut is a Nashville songwriter whose catalog spans decades of country and pop hits. His gift for crafting memorable melodies and emotionally direct lyrics made him a fixture in Music City during the height of country's crossover era, contributing songs recorded by some of the genre's biggest names.

Why we love this

Ed Lojeski's arrangement captures the infectious swagger of this tune while making it genuinely singable for mixed voices. The chart walks that line between accessibility and polish that lets students feel like they're performing a real song, not just a school piece.

What to expect

Upbeat and self-assured, with the kind of playful confidence that comes from a song comfortable in its own skin. The energy is infectious without being frantic.

Who it's for

Choirs looking for contemporary material with genuine appeal to their singers. The arrangement works for groups with moderate sight-reading skills and gives students a chance to perform a song they actually know.

How to get the most out of it

  • Keep the groove steady and relaxed; this song lives in its rhythmic pocket rather than pushing the tempo forward. Let the accompaniment anchor things.
  • Shape the repeated melodic hooks with light dynamic emphasis so they register without sounding forced. The repetition is the point.
  • Blend the parts cleanly during the tutti sections, especially where homophony dominates. Clarity of text matters here.

How to use it

Use this as a warm closer for a pop or lighter concert segment. It pairs well with other country or crossover material and offers a refreshing contrast to classical or sacred programming.

Skills your students will build

  • Maintaining rhythmic integrity in a groove-based arrangement
  • Singing with stylistic pop/country inflection in a choral setting
  • Balancing part independence and blend in homophonic textures

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