Symphony on Themes of John Philip Sousa, Mvt. 2 after "The Thunderer" Cover Image

Symphony on Themes of John Philip Sousa, Mvt. 2 after "The Thunderer": Concert Band Conductor Score

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Symphony on Themes of John Philip Sousa, Mvt. 2 after "The Thunderer" Cover Image

Symphony on Themes of John Philip Sousa, Mvt. 2 after "The Thunderer": Concert Band Conductor Score

By Ira Hearshen

Grade: 5

Item: 36-10105360

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Description
Mvmt II, after 'The Thunderer' - The continuation of Hearshen's epic symphony on Sousa themes, the second movement is based on The Thunderer. It is presented in a largamente tempo and the settings range from chorale-like, to mysterious, to reflective. This stirring movement (like all of the movements in the overall work) stands well on its own.

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Additional Details
Series: LudwigMasters Symphonic Band
Publisher: Keiser Productions, Inc.
ISBN10: 1-57-134885-9
ISBN13: 978-1-57-134885-2
UPC: 660355005091
SKU: 36-10105360
Instrumentation: Concert Band

More about this title

Why we love this

Hearshen's decision to slow down and reimagine 'The Thunderer' in largamente creates something rare: a contemplative movement that respects the original's melodic strength while stripping away march convention. Directors get a piece that showcases their ensemble's lyrical range without sacrificing the structural confidence Grade 5 bands need.

What to expect

A familiar melody stripped of its swagger and dressed in shadows. The movement begins with weight and ceremony, shifts into something quietly unsettling, then settles into genuine introspection. You hear Sousa's gift for melody intact, but transformed by minor keys and open spacing.

Who it's for

Concert bands at the Grade 5 level who want substantial artistic material that can stand as an independent concert piece. This works equally well for groups building confidence with longer forms and bands looking to program something that moves beyond traditional march arrangements.

How to get the most out of it

  • Balance the chorale passages so the harmonic movement reads clearly; these slower sections expose any intonation drift that a faster tempo would mask.
  • Let the mysterious sections breathe with space between phrases. Resist the urge to connect everything legato; silence is part of the texture here.
  • Shape the reflective passages through dynamic gradation rather than dramatic swells. The beauty lies in restraint.

How to use it

Pair this as the centerpiece of a concert exploring variations on American themes, or use it to create contrast on a program heavy with traditional marches and quick-paced selections. The largamente tempo and reflective character make it an ideal second-half closer before a finale.

Skills your students will build

  • Controlling dynamic contrast in slower tempos without losing phrase momentum
  • Balancing block harmonies to expose intonation and voice leading
  • Sustaining tone quality across a wide dynamic range
  • Interpreting stylistic shifts from chorale writing to mysterious figures to lyrical sections within a single movement

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