Symphony on Themes of John Philip Sousa, Mvt. 1 after "The Washington Post" Cover Image

Symphony on Themes of John Philip Sousa, Mvt. 1 after "The Washington Post": Concert Band Conductor Score

$35.00 USD
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Symphony on Themes of John Philip Sousa, Mvt. 1 after "The Washington Post" Cover Image

Symphony on Themes of John Philip Sousa, Mvt. 1 after "The Washington Post": Concert Band Conductor Score

By Ira Hearshen

Grade: 5

Item: 36-10105361

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Description
This is an ingenious, artful, and demanding symphony based on the themes of J. P. Sousa; the first movement is based on the Washington Post march, with themes enhanced and wonderfully transformed. This is truly exemplary writing that will challenge players and delight audiences.

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Additional Details
Series: LudwigMasters Symphonic Band
Publisher: Keiser Productions, Inc.
ISBN10: 1-63-887245-7
ISBN13: 978-1-63-887245-0
UPC: 735816097127
SKU: 36-10105361
Instrumentation: Concert Band, Ensemble Works

More about this title

Why we love this

Hearshen transforms one of America's most recognizable marches into something far more ambitious without losing the infectious energy that made Sousa's original endure. The thematic development here rewards careful listening and gives your band real compositional substance to sink their teeth into. This is the kind of piece that makes audiences lean forward while your musicians feel the satisfaction of executing genuinely sophisticated writing.

What to expect

A march that has been liberated and expanded into symphonic grandeur. The familiar melodies are treated with reverence but also reimagined through creative orchestration and harmonic development. There is elegance in the writing, a sense of pageantry enhanced by sophisticated musical architecture that feels both respectful to Sousa's original and entirely its own.

Who it's for

Conductors leading strong Grade 5 bands who have solid fundamentals and are ready to engage with compositional complexity. This score demands secure intonation, secure rhythm, and attentive sectional balance. Your musicians should be comfortable with traditional concert band instrumentation and able to sustain musical lines through passages that prioritize development over immediate melodic gratification.

How to get the most out of it

  • Study the score thoroughly before rehearsal to identify where Sousa's themes resurface in unexpected registers and instrumental combinations; this knowledge helps you guide players through the transformations.
  • Balance the lyrical enhancements against the march's inherent rhythmic drive; resist the urge to indulge the slower, sweeping passages at the expense of forward momentum.
  • Mark critical entrances for sections that state newly developed material, since thematic lines will move between choirs in ways that differ from the original march's straightforward orchestration.
  • Give the ensemble permission to breathe within the symphonic structure; this is not a march, and allowing small pauses before major thematic statements will clarify the architecture.

How to use it

This opening movement works beautifully as a concert centerpiece when you want to showcase your band's maturity and range. Program it alongside lighter fare to give your audience a complete picture of what Grade 5 musicians can accomplish. It also serves as an excellent choice for festivals or adjudicated events where the composition itself will impress as much as the performance does.

Skills your students will build

  • Following thematic transformations across instrumental choirs
  • Sustaining musical lines through complex harmonic development
  • Balancing lyrical phrasing within a march-based rhythmic framework
  • Reading conductor score complexities at the Grade 5 level
  • Responding to detailed dynamic and articulation markings that define character

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