Symphony No. 7 in E-flat, Op. Posth. [arrangement from incomplete fragments] Cover Image

Symphony No. 7 in E-flat, Op. Posth. [arrangement from incomplete fragments]: Full Orchestra, Score & Parts

$375.00 USD
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Symphony No. 7 in E-flat, Op. Posth. [arrangement from incomplete fragments] Cover Image

Symphony No. 7 in E-flat, Op. Posth. [arrangement from incomplete fragments]: Full Orchestra, Score & Parts

By Peter Ilyitch Tchaikovsky / arr. Semyon S. Bogatyrov

Item: 36-A753902

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Description
Peter Ilyitch Tchaikovsky (1840-1893) began work on a Symphony in E-flat after the completion of his fifth. Intending his sketches to become his sixth symphony, the composer abandoned the work as too impersonal, turning to new ideas for his actual sixth symphony. Convinced by others that sketches had merit, Tchaikovsky decided to re-score the music as a piano concerto, reusing the first movement for the single-movement Piano Concerto No. 3. The other two movements from the sketches were reworked for piano and orchestra by Sergei Taneyev as the Andante and Finale, which was published posthumously in 1897. Between 1951 and 1955, Russian composer Semyon Bogatyrev began work to fully orchestrate the work as Tchaikovsky's Symphony No. 7 in E-flat. This reconstruction premiered on February 7, 1957, by the Moscow Region Philharmonic Orchestra under Mikhail Terian. Instrumentation: 3(3rd dPicc).2.2.2: 4.2.3.1: Timp.Perc(2-3 players): Hp: Str (9-8-7-6-5 in set).

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Additional Details
Series: Kalmus Orchestra Library
Publisher: Keiser Productions, Inc.
UPC: 676737500665
SKU: 36-A753902
Instrumentation: 3(3rd dPicc).2.2.2: 4.2.3.1: Timp.Perc(2-3 players): Hp: Str (9-8-7-6-5 in set)

More about this title

About the Composer: Peter Ilyitch Tchaikovsky

Peter Ilyitch Tchaikovsky (1840-1893) stands as one of the most performed composers in the orchestral repertoire, yet his creative process was often marked by self-doubt and revision. He composed with extraordinary facility across symphonies, concertos, ballets, and operas, yet frequently abandoned or reworked sketches when they failed to meet his exacting emotional standards. His willingness to set aside material he deemed "too impersonal" reflects the perfectionism that shaped his legacy.

Tchaikovsky's orchestration remains a masterclass in color and balance. His command of the full orchestra, from intimate string writing to brilliant brass sections, influenced generations of composers. The fact that his seventh symphony exists at all owes to the dedication of colleagues like Sergei Taneyev and later Semyon Bogatyrev, who recognized merit in fragments the composer himself had set aside.

Why we love this

This reconstruction offers orchestras a rare opportunity to perform a Tchaikovsky work outside the canonical six symphonies, bringing fresh material from a master orchestrator to the podium. Bogatyrev's reconstruction honors Tchaikovsky's original intent while creating a coherent three-movement symphony from fragments, making this both a scholarly achievement and a musically compelling addition to the standard repertoire. For conductors seeking substantive Romantic-era works that challenge ensemble discipline without requiring a massive chorus, this delivers the orchestrational sophistication and emotional depth audiences expect from Tchaikovsky.

What to expect

The music carries Tchaikovsky's characteristic blend of Romantic lyricism and orchestral grandeur, with the luminosity and harmonic sophistication that mark his mature style. Though reconstructed from sketches, the symphony breathes with continuity and emotional coherence, offering the kind of sweeping melodic lines and rich instrumental color that make Tchaikovsky's work so immediately engaging to both players and listeners.

Who it's for

Conductors and orchestras with solid technical discipline and access to a full complement of strings (the score calls for 9-8-7-6-5 in the first desk), plus experienced wind and percussion players. This is repertoire for ensembles ready to tackle the textural complexity of Russian orchestration and audiences familiar with Tchaikovsky's idiom.

How to get the most out of it

  • Balance the interior voices in the string sections carefully; Tchaikovsky's orchestration often hides important harmonic material in violas and second violins that will disappear if the principal lines dominate.
  • Give the percussion and harp time to rehearse together, as Tchaikovsky uses these colors distinctively for harmonic color rather than mere punctuation.
  • Attend to the brass entrances with clarity and restraint; the full orchestration can quickly become thick if trumpets and horns force their tone.

How to use it

This work functions as a substantial main item on a concert celebrating Russian orchestral music or as a centerpiece in a Tchaikovsky-focused program that moves beyond the standard six symphonies. It pairs naturally with other reconstructed or posthumous works, or alongside contemporary Russian composers, allowing audiences to hear how Tchaikovsky's orchestrational voice shaped the next generation.

Skills your students will build

  • Balancing interior string voices in thick orchestration
  • Coordinating brass and percussion color changes within a single harmonic progression
  • Reading and conducting reconstructed or unfamiliar scores with historical context
  • Sustaining clarity and forward motion across extended Romantic-era phrases

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