Symphony No. 6 Op. 173 (Celestial Gate) Cover Image

Symphony No. 6 Op. 173 (Celestial Gate): Study Score

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Symphony No. 6 Op. 173 (Celestial Gate) Cover Image

Symphony No. 6 Op. 173 (Celestial Gate): Study Score

for Small Orchestra

By Alan Hovhaness

Item: 98-EP6171

$19.75
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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 60
ISBN10: 0-30-070961-7
ISBN13: 979-0-3007-0961-1
SKU: 98-EP6171

More about this title

About the Composer: Alan Hovhaness

Alan Hovhaness (1911, 2000) was an Armenian-American composer whose prolific output spanned seven decades and over 500 works. He drew deeply from Armenian folk music, Eastern Orthodox chant, and the musical traditions of Asia, creating a distinctive sound that blended modernist sensibilities with spiritual clarity. His string works are particularly valued in education for their lyrical accessibility and genuine emotional depth.

Why we love this

Hovhaness writes for strings with remarkable transparency, allowing even developing orchestras to sound cohesive and expressive. The Celestial Gate unfolds naturally across 60 pages, making it substantial enough to feel like a real achievement without demanding virtuosity beyond a strong intermediate ensemble.

What to expect

Celestial Gate evokes vast open spaces and quiet reverence. The writing hovers between contemplation and gentle motion, with harmonic colors that feel both ancient and timeless, never rushing toward resolution but instead inviting listeners into sustained meditation.

Who it's for

This study score serves string orchestras at the intermediate to advanced level, as well as conductors preparing the work for rehearsal or study. It's ideal for programs seeking music with genuine spiritual character that still engages players of moderate technical ability.

How to get the most out of it

  • Shape the opening lines with vocal phrasing; think of the violins as singing rather than playing passively through sustained sections.
  • Balance the inner voices carefully in passages where violas or cellos carry thematic material; these lines are just as important as what the first violins play.
  • Observe dynamic markings precisely, Hovhaness uses subtle shifts in volume as a compositional device, not mere expressive coloring.
  • Let silence breathe between sections; resist the urge to rush into new material when there's a pause or fermata.

How to use it

This work pairs beautifully in a program exploring spirituality in music, or as a contrasting movement within a concert that includes more dramatic contemporary pieces. Its meditative quality also makes it particularly effective as the closing work on a concert, leaving audiences in a state of quiet reflection.

Skills your students will build

  • Sustained tonal control and long-line phrasing across entire sections
  • Balancing transparent textures with multiple independent voice lines
  • Responsiveness to subtle dynamic and tempo shifts as structural and expressive tools
  • Intonation precision in extended harmonic language
  • Listening skills for blend and balance within the string section

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