Symphony No. 6 in C, D. 589 (Little C Major) Cover Image

Symphony No. 6 in C, D. 589 (Little C Major): Full Orchestra, Ensemble Works, Conductor Score & Parts (EDWIN F KALMUS)

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Symphony No. 6 in C, D. 589 (Little C Major) Cover Image
Symphony No. 6 in C, D. 589 (Little C Major): Full Orchestra, Ensemble Works, Conductor Score & Parts (EDWIN F KALMUS)

Symphony No. 6 in C, D. 589 (Little C Major): Full Orchestra, Ensemble Works, Conductor Score & Parts (EDWIN F KALMUS)

By Franz Schubert, ed./arr. by Johannes Brahms

Item: 36-A200002
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Symphony No. 6 in C, D. 589 (Little C Major): Full Orchestra, Ensemble Works, Conductor Score (EDWIN F KALMUS)

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Description
Symphony No. 6 in C major, D. 589 ("Little C Major") was composed in 1817-1818 by Franz Schubert (1797-1828) during a remarkably productive early period in Vienna, when the young composer was absorbing the influences of Haydn, Mozart, Beethoven, and the fashionable Italian style of Rossini. The nickname "Little C Major" was applied later to distinguish the work from Schubert's monumental Symphony No. 9 in the same key, the "Great C Major." Bright, energetic, and melodically abundant, the symphony reveals his growing confidence in orchestral writing. Although completed in 1818, the work was not publicly premiered until December 14. 1828, shortly after the composer's death, in Vienna under the direction of Johann Baptist Schmiedel. Historically, the symphony stands at the crossroads between Classical elegance and early Romantic warmth. Symphony No. 6 remains a beloved work in the orchestral repertoire, highlighting Schubert's evolution toward his later symphonic masterpieces. Instrumentation: 2.2.2.2 - 2.2.0.0: Timp: Str (9.8.7.6.5 in set) This reprint of the Johannes Brahms edition also includes transposed parts for the clarinets, horns, and trumpets.

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Additional Details
Series: Kalmus Orchestra Library
UPC: 604634067431
SKU: 36-A200002
Instrumentation: 2.2.2.2 - 2.2.0.0: Timp: Str (9.8.7.6.5 in set)

More about this title

About the Composer: Franz Schubert

Franz Schubert (1797-1828) composed over 600 works across every genre during his short life, yet struggled for recognition and financial stability in Vienna. His gift for melody was matched only by his ability to expand Classical forms with Romantic warmth, a tension that defines his symphonies, chamber music, and songs.

Schubert's early symphonies, including the Sixth, reveal a composer learning his craft through direct engagement with his predecessors. He absorbed the structural clarity of Haydn and Mozart while gradually introducing the emotional depth and orchestral color that would mark his mature style. These works remain essential to understanding how Romanticism emerged from the Classical tradition.

Why we love this

This symphony occupies a sweet spot for orchestras seeking substantial yet accessible Schubert. The orchestration is transparent enough to hear every voice clearly, yet rich enough to reward careful ensemble work. Its straightforward four-movement architecture and abundant melodic material make it a genuine pleasure to rehearse and perform.

What to expect

Sunlit and graceful. Schubert writes with an almost naive optimism here, allowing simple ideas to blossom without heavy development. The melodies unfold naturally, the harmonic language is warm but never overwrought, and the overall effect is one of youthful clarity tempering the conventions of the genre.

Who it's for

Orchestras and concert bands with solid fundamentals and exposure to Classical symphonic structure. The work suits advanced high school orchestras and community ensembles comfortable with four-movement forms and transparent scoring.

How to get the most out of it

  • Balance the woodwind solos in the first movement carefully; they carry substantial melodic weight and need space to sing without drowning the strings.
  • Shape phrase endings with a gentle lift rather than a complete stop; Schubert's melody wants to breathe continuously across cadences.
  • Keep the Andante moderately paced and lyrical. Excessive slowness deadens the line; treat it as gentle introspection rather than meditation.
  • The Minuet profits from crisp articulation and clear rhythmic definition. Avoid letting it blur into salon music.

How to use it

Program this as a centerpiece for a Classical symphonic concert, or pair it with a Haydn or Mozart work to show the evolution of the genre. It works equally well as the opening work on a program where it can establish the concert's lyrical character before introducing weightier fare.

Skills your students will build

  • Reading Classical symphonic form (exposition, development, recapitulation) with Romantic expression
  • Balancing transparent orchestration across multiple woodwind and string lines
  • Sustaining phrase momentum across sectional seams in slow movements
  • Executing sustained coordination across the full ensemble in extended passages

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