Symphony No. 5 in C-sharp minor (3rd version) Cover Image

Symphony No. 5 in C-sharp minor (3rd version): Full Orchestra, Ensemble Works, Full Score

$140.00 USD
Sale price  $140.00 USD Regular price 
Skip to product information
Symphony No. 5 in C-sharp minor (3rd version) Cover Image

Symphony No. 5 in C-sharp minor (3rd version): Full Orchestra, Ensemble Works, Full Score

By Gustav Mahler

Item: 36-A240001

$140.00
Shipped

One moment…

Description
Gustav Mahler (1860-1911) composed his SYMPHONY No. 5 in C-sharp minor in 1901 and 1902, mostly while staying at his vacation cottage at Maiernigg. The composer conducted the first performance in Cologne on October 18, 1904 with the Gurzenich Concert Orchestra. The work opens with a funeral march, introduced by a grim and dauntless trumpet solo which calls to mind the opening motif of Beethoven's 5th Symphony. The 4th movement, the well-known, elegiac Adagietto, is often performed apart from the rest of the piece. It appeared, memorably, at the funeral of Robert Kennedy in 1968 under the direction of Leonard Bernstein. Revised several times, the symphony is here presented in its 1910 version. Reprint edition. 4(3rd/4th dPicc).3(3rd dEH).3(3rd dBCl).3(3rd dCBsn): 6.4.3.1: Timp.Perc(3-4): Hp: Str (9-8-7-6-5 in set).

Symphony No. 5 in C-sharp minor (3rd version): Full Orchestra, Ensemble Works, Full Score isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

No sample pages found.

Sample Audio
No sample audio found.
Sample Video
Additional Details
Series: Kalmus Orchestra Library
Publisher: Keiser Productions, Inc.
ISBN10: 8-89-270222-X
ISBN13: 979-8-89-270222-5
UPC: 746241262141
SKU: 36-A240001
Instrumentation: 4(3rd/4th dPicc).3(3rd dEH).3(3rd dBCl).3(3rd dCBsn): 6.4.3.1: Timp.Perc(3-4): Hp: Str (9-8-7-6-5 in set)

More about this title

About the Composer: Gustav Mahler

Gustav Mahler (1860-1911) was an Austrian composer and conductor whose ten symphonies redefined the genre in the early twentieth century. He held principal conducting positions across Europe's leading opera houses and concert halls, including the Vienna Court Opera, and brought the same intensity to his own compositions that he demanded from orchestras under his baton. Mahler's symphonies integrate song, nature imagery, and psychological depth in ways that challenged his contemporaries; his influence on twentieth-century composition and conducting remains profound.

Why we love this

The Fifth Symphony represents Mahler at the height of his architectural ambition. The celebrated Adagietto has claimed a cultural life beyond the work itself, yet the full symphony reveals a composer mapping the emotional journey from funeral march through transformation to triumphant finale with orchestral sophistication that rewards careful study and repeated performance.

What to expect

The symphony opens with an unmistakable darkness, a funeral procession marked by that haunting trumpet call. The movement unfolds in waves of grief and resignation, only to fracture into a scherzo of anxious energy. The Adagietto shifts the entire emotional landscape into something tender and suspended, as though time itself has slowed. What follows is a gradual acceleration toward light and affirmation, culminating in an orchestral sound of such brilliance and fullness that the transformation feels earned rather than imposed.

Who it's for

Conductors leading professional or advanced amateur orchestras with complete instrumentation and musicians comfortable with Post-Romantic harmonic language and shifting orchestral colors. This score is essential for anyone studying Mahler's symphonic method or preparing a concert devoted to early twentieth-century orchestral literature.

How to get the most out of it

  • Establish a unified interpretation of the funeral march opening across the brass section; the grim trumpet solo demands clarity and confidence, not sentimentality, to resonate against the orchestral wash that follows.
  • Balance the harp's pivotal role in the fourth movement with restraint; the Adagietto's transparency depends on allowing silence and individual instrumental voices to breathe within the texture.
  • Rehearse the complex transitions between movements separately, paying attention to the shift in character and tempo relationships so the symphony reads as a continuous arc rather than five discrete pieces.
  • Mark the percussion parts early in preparation; the orchestration shifts instrumental color and rhythmic energy significantly across the five movements, and clear percussion cues help the ensemble track large structural shifts.

How to use it

This symphony commands a concert of its own or serves as the centerpiece of a program exploring late Romantic and early modernist orchestral thinking. It pairs well with works by contemporaries like Richard Strauss or Schoenberg, or it can anchor a concert built around the theme of transformation and renewal. The Adagietto alone has historical and emotional weight that justifies programming this work even when time constraints require careful curating.

Skills your students will build

  • Conducting complex orchestral transitions and tempo relationships across multiple movements
  • Balancing dense Post-Romantic harmonies and orchestral color in context of forward harmonic progression
  • Coordinate large ensemble rhythmic precision under shifting meters and syncopation
  • Shaping long lyrical phrases in chamber-like settings (e.g., the Adagietto) within a full orchestral context
  • Reading and interpreting advanced orchestration with multiple doublings, extended instrumental ranges, and unusual combinations

You May Also Like