Symphony No. 45 in F-sharp minor 'Farewell' (Hob. I.45) Cover Image

Symphony No. 45 in F-sharp minor 'Farewell' (Hob. I.45): Full Orchestra, Ensemble Works, Conductor Score (EDWIN F KALMUS)

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Symphony No. 45 in F-sharp minor 'Farewell' (Hob. I.45) Cover Image

Symphony No. 45 in F-sharp minor 'Farewell' (Hob. I.45): Full Orchestra, Ensemble Works, Conductor Score (EDWIN F KALMUS)

By Franz Joseph Haydn

Item: 36-A155601

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Franz Joseph Haydn (1732-1809) wrote Symphony No. 45 in F-sharp minor 'Farewell' (Hob. I.45; 'Abschiedssinfonie' in German), the most well-known of his 'Sturm und Drang' symphonies, in 1772, and it is unique among musical works as it was composed as a solution to a labor dispute. In Haydn's role as Kapellmeister to Prince Nikolaus Esterházy, he was tasked to manage the personnel of fine musicians that comprised the prince's house orchestra. While Haydn and a few other employees were permitted to bring their families during the long summer stays at the remote Eszterháza, most of the musicians were not. In the summer of 1772, the prince elected to extend his stay by several weeks, keeping the musicians away from their wives and children longer than anticipated, resulting in complaints to Haydn. The composer opted to write a rather pointed symphony, where in a fifth and final adagio movement, each of the musicians, one by one, packed up their music and instruments and departed the stage. The prince, receiving the message, ordered that everyone may return home the very next day. Instrumentation: 0.2.0.1: 2.0.0.0: Str (4-4-3-3-3 in set).

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Additional Details
Series: Kalmus Orchestra Library
Publisher: Edwin F Kalmus
ISBN10: 8-88-852570-X
ISBN13: 979-8-88-852570-8
UPC: 676737838652
SKU: 36-A155601
Instrumentation: 0.2.0.1: 2.0.0.0: Str (4-4-3-3-3 in set)

More about this title

About the Composer: Franz Joseph Haydn

Franz Joseph Haydn (1732-1809) spent nearly three decades as Kapellmeister to the Esterházy court, where he led one of Europe's finest orchestras and composed prolifically across every genre. His position gave him direct access to skilled instrumentalists and the freedom to experiment, making him a crucial architect of the symphony form itself.

Haydn's catalog includes 104 symphonies, and he used that body of work to solve real problems, innovate orchestration, and occasionally deliver pointed messages to his employers. His wit, craft, and willingness to embed meaning into musical structure made him a teacher to Beethoven and Mozart and a model for generations of composers who followed.

Why we love this

This symphony is a masterclass in using orchestration as narrative. The final adagio, where musicians depart the stage one by one until only two violins remain, transforms a labor dispute into unforgettable theater that never loses musical integrity. It's the kind of piece that teaches your orchestra that technique and storytelling belong together, and students remember it for life.

What to expect

The opening surges with restless urgency, its minor key and driving rhythms creating an almost stormy atmosphere. The work swings between moments of elegant refinement and agitated intensity, before arriving at a slow movement of unexpected tenderness, where instruments gradually fade into silence like musicians stealing away into the night.

Who it's for

Orchestras and conductors seeking a work that combines Sturm und Drang intensity with historical depth and theatrical impact. This score rewards musicians who have developed solid technique and can handle the formal sophistication of late eighteenth-century writing. It works equally well in academic ensembles that value historical context and professional orchestras looking for a crowd-pleasing encore or special concert event.

How to get the most out of it

  • Bring clarity to the opening movement's Sturm und Drang character by keeping the first violin line lean and focused; the drama lives in harmonic intensity and orchestration, not string weight.
  • Rehearse the final adagio departure sequence carefully so each musician's exit feels purposeful rather than rushed. Mark the exact measure where each part drops out, and confirm sightlines with departing players beforehand.
  • Balance the two oboes and horn against the string texture throughout; Haydn's orchestration is transparent, and doubling disappears quickly once players leave the stage.
  • Use the Minuet and Trio to reset energy before the slow finale. This movement is lighter than the opening movements but should maintain forward motion.

How to use it

Program this as a thematic anchor for a concert exploring labor, humor, or innovation in classical music. Its historical narrative and theatrical finale make it ideal for educational contexts where you want to discuss how composers engage with their world. It also serves as an excellent closer for a concert celebrating Haydn's orchestral mastery, particularly when paired with other symphonies from his Sturm und Drang period.

Skills your students will build

  • Sustaining ensemble cohesion across four distinct movements with varying textures and tempos
  • Balancing transparency in Classical orchestration where doublings are sparse and deliberate
  • Executing the coordinated stage exits in the final adagio as a unified dramatic gesture
  • Navigating harmonic complexity and chromatic voice-leading characteristic of Sturm und Drang style
  • Reading and maintaining intonation in F-sharp minor across extended passages

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