Symphony No. 40 in G Minor, K. 550 Cover Image

Symphony No. 40 in G Minor, K. 550: Full Orchestra Miniature Score

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Symphony No. 40 in G Minor, K. 550 Cover Image

Symphony No. 40 in G Minor, K. 550: Full Orchestra Miniature Score

By Wolfgang Amadeus Mozart

Item: 00-K00034

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Description
Mozart composed his E-flat, G minor and C major symphonies during the summer of 1788, the G minor being finished on July 25 (according to the date on the manuscript). This edition uses Mozart's second version of the work. In that version Mozart added two clarinets and made changes in the oboe parts. This piece is a full orchestra (miniature score).

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Additional Details
Series: Kalmus Edition
Publisher: Alfred Music
Page Count: 68
ISBN10: 0-7692-3561-1
ISBN13: 978-0-7692-3561-5
UPC: 029156273649
SKU: 00-K00034

More about this title

About the Composer: Wolfgang Amadeus Mozart

Wolfgang Amadeus Mozart (1756-1791) was an Austrian composer whose prolific output across every major genre fundamentally shaped Western classical music. He wrote his final three symphonies in rapid succession during the summer of 1788, a period of extraordinary creative intensity that produced some of his most architecturally sophisticated and emotionally profound instrumental works.

Why we love this

This is Mozart at his most structurally ambitious: a four-movement symphony that balances the elegance of Classical form with harmonic depth and orchestral color that anticipates Romantic sensibility. The G minor key itself is rare in Mozart's symphonic output, giving the work an introspective character that rewards careful preparation and reveals new layers with each rehearsal.

What to expect

The G minor symphony opens with an urgent, almost agitated melody that dominates the entire work with restless energy and emotional urgency. Yet beneath this forward momentum runs a Classical transparency and clarity that makes every voice audible, creating a paradox between surface agitation and structural inevitability.

Who it's for

This miniature score serves conductors preparing the work for study, rehearsal, or performance with advanced orchestras. It is also invaluable for music theory students and scholars examining Mozart's orchestration and formal design at the symphonic level.

How to get the most out of it

  • Balance the clarinet and oboe parts carefully in the second version; Mozart's revision added these winds specifically to enrich the harmonic texture, so they need audibility without overwhelming the strings.
  • Shape the opening theme's chromaticism with clear articulation to emphasize its restless character; the descending line is the work's emotional core.
  • Observe the dynamic markings precisely, particularly the sudden forte statements that punctuate the development sections; these shifts drive the formal architecture.

How to use it

Program this as a centerpiece for a Mozart or Classical era concert, pairing it with an earlier symphony to demonstrate Mozart's compositional evolution. Its substantial length and dramatic weight make it a natural anchor for a program focused on late-eighteenth-century symphonic innovation.

Skills your students will build

  • Reading and conducting Classical four-movement symphonic form
  • Balance and blend across a full orchestra with winds added in revision
  • Interpretation of period-appropriate dynamics and articulation
  • Harmonic analysis of modulation and tonal architecture in Classical design

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