Symphony No. 4 in F minor, Op. 36 (German Edition) Cover Image

Symphony No. 4 in F minor, Op. 36 (German Edition): Full Orchestra, Ensemble Works, Conductor Score & Parts

$275.00 USD
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Symphony No. 4 in F minor, Op. 36 (German Edition) Cover Image

Symphony No. 4 in F minor, Op. 36 (German Edition): Full Orchestra, Ensemble Works, Conductor Score & Parts

By Peter Ilyitch Tchaikovsky

Item: 36-A615002

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Description
Peter Ilyitch Tchaikovsky (1840-1893) began work on his SYMPHONY No. 4, Op. 36 in 1877 and finished it the following year. Begun soon after Tchaikovsky established his relationship with long-time patroness Nadezhda von Mech, SYMPHONY No. 4 was dedicated to her, and she requested that the work include a program describing the work. The composer obliged, and the resulting program has resulted in the work sometimes receiving the nickname "Fatum" or "Fate." While the symphony was met with a lukewarm reception at its February 22, 1878 premiere with the Russian Musical Society under Nikolai Rubinstein, it has since become a staple of the concert repertoire. The current edition is the German, but the original Russian edition is also available from the publisher under publisher's code A2190. Instrumentation: 2+Picc.2.2.2: 4.2.3.1: Timp.Perc(2-3): Str (9-8-7-6-5 in set). Reprint edition.

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Additional Details
Series: Kalmus Orchestra Library
Publisher: Keiser Productions, Inc.
UPC: 605258630735
SKU: 36-A615002
Instrumentation: 2+Picc.2.2.2: 4.2.3.1: Timp.Perc(2-3): Str (9-8-7-6-5 in set)

More about this title

About the Composer: Peter Ilyitch Tchaikovsky

Peter Ilyitch Tchaikovsky (1840-1893) stands as one of the most performed composers in the orchestral canon, known for his gift for sweeping melody, vivid orchestration, and emotional directness. His four symphonies represent the full arc of his compositional maturity, moving from Romantic intensity to increasingly sophisticated harmonic language while maintaining the accessibility that has made his work central to concert programming worldwide.

Beyond his symphonic output, Tchaikovsky's ballets (Swan Lake, The Nutcracker, The Sleeping Beauty) and concertos established him as a master of large-scale form and orchestral color. His willingness to infuse concert music with folk melody and dramatic narrative helped elevate the symphony as a vehicle for personal expression rather than abstract formal exercise.

Why we love this

This score delivers one of the Romantic era's most dramatically potent symphonies. The work's famous fate motif, the driving fourth movement, and the orchestration's sheer visceral power make it a repertoire cornerstone that justifies the significant rehearsal investment and demonstrates to musicians why Tchaikovsky's orchestral writing remains the gold standard for dramatic impact.

What to expect

The symphony unfolds with intimate vulnerability in the Andante, gathers momentum through a playful yet restless Scherzo, and explodes in the finale with driving, almost violent energy. Tchaikovsky's orchestration ranges from delicate transparency to overwhelming fullness, creating a work that feels both deeply personal and monumentally grand.

Who it's for

This is repertoire for orchestras with solid technical command and sectional confidence. The part writing demands secure intonation in the strings, independence in the woodwind divisi, and secure brass discipline, making it ideal for college orchestras, regional orchestras, and advanced high school ensembles with adequate rehearsal time.

How to get the most out of it

  • Balance the prominent first violin line in the Andante sostenuto against the inner voices; the melody must sing while the harmonic fabric remains transparent.
  • Establish a clear pulse for the Scherzo's fleet subdivision before rehearsal, as the woodwind doublings and string figuration can obscure the underlying meter without precise ensemble coordination.
  • Shape the pervasive fate motif as a character that appears and recedes rather than a fixed idea; its returns gain cumulative weight when each occurrence responds to the surrounding material.
  • Reserve full dynamic range for the final movement; the published dynamic markings are generous, but respecting the score's gradations of pp to ff clarifies the architecture of the climax.

How to use it

Program this as the anchor of a concert exploring Romantic symphonic thought, or pair it with a contemporary work to show how later composers absorbed Tchaikovsky's orchestral language. The dramatic arc is compelling enough to sustain a full concert when paired with a shorter opening work and a concerto.

Skills your students will build

  • Conducting multi-movement symphonic form with contrasting tempos and characters
  • Balancing complex orchestration across eight instrumental choirs
  • Ensemble intonation and blend in divisi passages
  • Maintaining rhythmic precision in fast figuration (Scherzo and Finale)
  • Responding to subtle dynamic nuance and phrase shaping
  • Understanding leitmotif and thematic development across movements

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