Symphony No. 4 in E minor, Op. 98 Cover Image

Symphony No. 4 in E minor, Op. 98: Full Orchestra, Conductor Score

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Symphony No. 4 in E minor, Op. 98 Cover Image

Symphony No. 4 in E minor, Op. 98: Full Orchestra, Conductor Score

By Johannes Brahms

Item: 36-A134101

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Description
Johannes Brahms (1833-1897) started work on his Symphony No. 4 in E minor, Op. 98 in 1884, a year after finishing the third. It brings a stern, yet majestic conclusion to the cycle, admired for its rich motivic development and the dramatic Bachian formality of its final passacaglia. Brahms introduced a two-piano version of the work with Ignaz Brüll to a gathering of friends, including the critic Eduard Hanslick, in October 1885. The Meiningen Court Orchestra gave the first performance on the 25th of that month under the baton of the composer. Instrumentation: 2(2nd dPicc).2.2.2+CBsn: 4.2.3.0: Timp.Perc(1): Str (9-8-7-6-5 in set). Reprint edition. Transposed parts for clarinets, horns, trumpets, and trombone (bass clef) are also included.

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Additional Details
Series: Kalmus Orchestra Library
Publisher: Keiser Productions, Inc.
ISBN10: 8-89-563371-7
ISBN13: 979-889-563-3717
UPC: 659859470115
SKU: 36-A134101
Instrumentation: 2(2nd dPicc).2.2.2+CBsn: 4.2.3.0: Timp.Perc(1): Str (9-8-7-6-5 in set)

More about this title

About the Composer: Johannes Brahms

Johannes Brahms (1833-1897) brought the symphony into the late Romantic era with a composer's reverence for the Classical tradition and an uncompromising ear for orchestral color. Working deliberately through four symphonies over two decades, he created some of the most architecturally rigorous and emotionally profound orchestral works of the nineteenth century. His mastery of counterpoint, thematic development, and instrumental writing established him as the inheritor of Beethoven's symphonic legacy.

Why we love this

The Fourth Symphony demands the kind of deep preparation and unified ensemble discipline that transforms an orchestra. Its motivic rigor and the audacious final passacaglia—a formal structure rarely attempted at symphonic scale—reward thorough study from every section and create a performance that lingers in listeners' minds long after the final cadence.

What to expect

Stern and magisterial, the Fourth Symphony moves between passages of austere beauty and moments of turbulent drama, all anchored by the architectural rigor of Bach. The final passacaglia unfolds with hypnotic inevitability, building through layer upon layer of variation toward a conclusion that feels both inevitable and profound.

Who it's for

Orchestras with solid string sections and experienced wind and brass players ready to engage with complex motivic writing and demanding ensemble coordination. This score suits advanced community orchestras, university symphony orchestras, and professional ensembles preparing a complete Brahms symphonic cycle or a concert featuring late-Romantic orchestral masterworks.

How to get the most out of it

  • Study the inner voices throughout the first movement; Brahms hides essential material in violas and second violins that shapes the harmonic language and requires transparent balance.
  • Approach the passacaglia finale as a single arch rather than a series of variations. The structural coherence depends on consistent pacing and disciplined dynamic control across all twelve variations.
  • Maintain clarity in the woodwind writing during passages of thick orchestration. Brahms layers independent lines that risk muddying if vibrato and articulation aren't carefully coordinated.
  • Use the horn parts as anchors for rhythmic precision in the Scherzo; their prominent role in accompanimental figures must remain metrically locked while surrounding material dances above.

How to use it

Program this as the centerpiece of a concert exploring Brahms's orchestral language, or pair it with another late-Romantic work to highlight the symphony's formal boldness and contrapuntal sophistication. The sheer intellectual and emotional weight of this work justifies a full concert devoted to it or a program where it shares space with only one other substantial orchestral work.

Skills your students will build

  • Reading and sustaining complex thematic lines across multiple instrumental families
  • Balancing inner voices in thick orchestration
  • Understanding motivic development and variation form
  • Executing rhythmic precision in syncopated and cross-accented passages
  • Responding to subtle dynamic shadings and long-range harmonic tension
  • Coordinating ensemble attacks and releases across wind, brass, and string sections

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