Symphony No. 4 in D minor, Op. 13/B. 41 (critical edition) Cover Image

Symphony No. 4 in D minor, Op. 13/B. 41 (critical edition): Full Orchestra, Conductor Score

$140.00 USD
Sale price  $140.00 USD Regular price 
Skip to product information
Symphony No. 4 in D minor, Op. 13/B. 41 (critical edition) Cover Image

Symphony No. 4 in D minor, Op. 13/B. 41 (critical edition): Full Orchestra, Conductor Score

By Antonín Dvorák, ed./arr. by Frantisek Bartos/ Antonin Pokorny/ Karel Solc

Item: 36-A787101

$140.00
Shipped

One moment…

Description
Composed by Antonín Dvorák (1841-1904) in the first few months of 1874, SYMPHONY NO. 4 IN D MINOR, Op. 13/B. 41 displays the unmistakable influence of Wagner in its thematic development. A paraphrase of the opening material in the overture to TANNHÄUSER appears in the second movement. Bedrich Smetana conducted the premiere of the third movement on May 25, 1874 at a concert of the Academy Readers' Society in Prague. Due to his own dissatisfaction of the work's merits, Dvorák decided to cancel the planned 1888 premiere by the London Philharmonic Society. Subsequently revised, the symphony was finally heard in its entirety on April 6, 1892, performed by the National Theatre Orchestra under the baton of the composer. It was published posthumously in 1912. This critical edition, based on the composer's manuscript, was edited by Frantisek Bartos, Antonín Pokorny, and Karel Solc. Instrumentation: 2.2.2.2: 4.2.3.0: Timp.Perc(2-3): Str (9.8.7.6.5 in set). Reprint edition.

Symphony No. 4 in D minor, Op. 13/B. 41 (critical edition): Full Orchestra, Conductor Score isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

No sample pages found.

Sample Audio
No sample audio found.
Sample Video
Additional Details
Series: Kalmus Critical Editions
Publisher: Keiser Productions, Inc.
ISBN10: 8-89-810046-9
ISBN13: 979-889-810-0469
UPC: 605258737724
SKU: 36-A787101
Instrumentation: 2.2.2.2: 4.2.3.0: Timp.Perc(2-3): Str (9.8.7.6.5 in set)

More about this title

About the Composer: Antonín Dvorák

Antonín Dvorák (1841-1904) stands among the most performed symphonists of the Romantic era, bridging the Germanic symphonic tradition with distinctly Czech musical identity. A master of orchestration and thematic development, Dvorák composed nine symphonies over three decades while serving as director of the National Conservatory in New York and later as director of the Prague Conservatory. His symphonies reveal an evolving compositional voice, from early works shaped by Brahms and Wagner to later symphonies that integrate folk-inflected melodies and ambitious structural planning.

Dvorak's legacy in music education rests on his gift for orchestral color and his ability to sustain large-scale musical arguments without sacrificing lyricism. Conductors and orchestras return repeatedly to his symphonic cycle, and studying his scores teaches invaluable lessons in voice leading, sectional independence, and the architecture of the Romantic symphony.

Why we love this

This critical edition, edited from Dvorák's original manuscript, offers conductors a historically informed text of a symphony that occupies an unusual position in the canon: less performed than Symphonies 6 and 9, yet rich with Wagnerian sophistication and Czech character. The orchestration sits comfortably within reach of advanced university and regional orchestras while demanding genuine musicianship, and the piece's complex emotional arc rewards serious preparation and makes for compelling audience listening.

What to expect

The symphony unfolds with the grandeur and harmonic ambition of high Romanticism, channeling Wagnerian orchestral language into Dvorák's own lyrical voice. Moments of Czech-inflected melody and folk-like simplicity contrast sharply with dense, intricate orchestration, creating an emotional range that moves from turbulent struggle to nostalgic tenderness. The overall effect is one of a composer wrestling with large musical ideas while maintaining an underlying warmth and humanity.

Who it's for

This score serves conductors leading advanced university orchestras, regional orchestras, and professional ensembles seeking to expand their Dvorák repertoire beyond the most familiar symphonies. Musicians preparing for conducting examinations or competitions will find a rewarding challenge in a work that tests orchestral control and musical imagination without the performance logistics of larger contemporary symphonies.

How to get the most out of it

  • Balance the Wagner-influenced thematic material in the second movement with clarity of line; the paraphrase from Tannhäuser should sing over the harmonic foundation rather than disappear into it.
  • Shape the outer movements' first-theme expositions with careful dynamic control; Dvorák's symphonic arguments depend on hearing the relationship between primary and secondary material across longer spans.
  • Prepare the percussion and timpani sections separately for rhythmic precision in the scherzo; the rhythmic figures drive the movement's energy and require lock-step coordination with the strings.
  • Use the conductor's score's editorial notes and variant readings to make informed choices about tempi relationships between movements; this critical edition documents Dvorák's revisions.

How to use it

Program this symphony as the centerpiece of a Dvorák-focused concert or as part of a larger Romantic symphony cycle exploring how different composers approached the four-movement form. It pairs effectively with shorter Czech orchestral works or with post-Wagnerian works by Dvorák's contemporaries, offering audiences a substantial and absorbing listening experience that rewards close attention.

Skills your students will build

  • Reading complex orchestral scores with multiple simultaneous compositional techniques
  • Balancing exposed wind and brass lines with string accompaniment
  • Shaping long-range harmonic progressions and thematic development across movements
  • Conducting mixed meters and shifting metric emphasis within a large ensemble
  • Interpreting editorial decisions in critical editions and understanding compositional revision

You May Also Like