Symphony No. 36 in C, K. 425 'Linz' Cover Image

Symphony No. 36 in C, K. 425 'Linz': Full Orchestra, Ensemble Works

$120.00 USD
Sale price  $120.00 USD Regular price 
Skip to product information
Symphony No. 36 in C, K. 425 'Linz' Cover Image

Symphony No. 36 in C, K. 425 'Linz': Full Orchestra, Ensemble Works

By Wolfgang Amadeus Mozart / arr. Friedrich Schnapp

Item: 36-A815502

$120.00
Shipped

One moment…

Description
Wolfgang Amadeus Mozart (1756-1791) composed the Symphony No. 36 in C Major, K. 425, knows as the "Linz Symphony," within a few days in October/early November 1783 in the palace of Count Johann Joseph Anton von Thun-Hohenstein in Linz were, together with his wife Constanze, he stayed for three weeks on the way back from a trip to Salzburg. "On Tuesday, the fourth of November," wrote Mozart to his father on October 31 (the day after his arrival in Linz), "I will be giving a concert in the theater - and since I have no symphony with me, I am writing one as fast as I can, for it must be ready by then." Accordingly, this work was performed for the first time in the theater in Linz on November 4, 1783. This critical edition based on the composer's manuscript has been completed by Friedrich Schnapp. Instrumentation: 0.2.0.2: 2.2.0.0: Timp: Str (4-4-3-3-3 in set).

Symphony No. 36 in C, K. 425 'Linz': Full Orchestra, Ensemble Works isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

No sample pages found.

Sample Audio
No sample audio found.
Sample Video
Additional Details
Series: Kalmus Critical Editions
Publisher: Keiser Productions, Inc.
UPC: 735816453329
SKU: 36-A815502
Instrumentation: Detailed Instrumentation: 0.2.0.2: 2.2.0.0: Timp: Str (4-4-3-3-3 in set)

More about this title

About the Composer: Wolfgang Amadeus Mozart

Wolfgang Amadeus Mozart (1756-1791) stands as one of history's most prolific and influential composers, having written over 600 works across every major genre before his death at thirty-five. His symphonies span from early works modeled on Italian opera overtures to late masterpieces that expanded the form's harmonic and structural possibilities, earning him recognition as a cornerstone of the Classical tradition.

Mozart's ability to combine melodic immediacy with sophisticated counterpoint and orchestration made his music accessible to contemporary audiences while remaining endlessly rewarding for musicians and listeners who engage with it more deeply. His output shaped the development of the symphony, concerto, and string quartet, and his influence extends across two centuries of music education and performance practice.

Why we love this

The Linz Symphony captures Mozart at a moment of creative spontaneity, composed in days to meet a performance deadline yet emerging as a fully realized masterwork with melodic brilliance and orchestral sophistication. This critical edition provides conductors with a score grounded in Mozart's manuscript, making it ideal for orchestras seeking an authentic Viennese Classical work that remains engaging for both ensemble and audience. Programming this symphony opens conversations about Mozart's compositional process, the concert culture of the 1780s, and the creative pressures that often yielded his finest work.

What to expect

The Linz Symphony radiates the elegance and wit characteristic of Mozart's Viennese period, with singing melodic lines that seem to emerge effortlessly from the orchestra and harmonic progressions that balance formal clarity with expressive warmth. The work conveys both the improvisatory spirit of its rapid composition and the polish of a composer operating at the height of his craft, creating music that feels both immediate and permanent.

Who it's for

This score serves orchestras, youth orchestras, and music degree programs seeking a gateway into Classical symphonic writing, offering authentic historical sources in a format conductors can trust. Musicians ranging from advanced high school ensembles through professional groups will find rewarding challenges in Mozart's orchestration and the interpretive questions that arise from a work composed under such distinctive circumstances.

How to get the most out of it

  • Shape the opening theme with forward momentum; the allegro spiritoso marking demands energy without rushing, and the orchestra's articulation should reflect the character of a work conceived and written at speed.
  • Balance the woodwind doublings carefully, particularly the oboes, which carry important harmonic material alongside the strings. The reduced wind section (oboes and horns only) requires precise dynamic control to maintain textural clarity.
  • Treat the timpani part with definition; in a work of this era, the timpani articulates structural moments and energizes cadences, so clear attacks strengthen the overall profile.
  • Communicate the architecture of each movement through phrasing. Mozart's four-movement structure (Allegro spiritoso, Andante, Minuet and Trio, Presto) depends on clear sectional contrasts to create narrative coherence.

How to use it

This symphony pairs naturally on concert programs devoted to Mozart or the Classical era, and works equally well as a standalone feature or as part of a thematic concert exploring compositional process and deadline-driven creativity. Consider pairing it with a Mozart piano concerto or chamber work to create a deeper immersion in his style, or program it in a historical progression that moves through his symphonic output to demonstrate his stylistic evolution.

Skills your students will build

  • Reading and executing balanced exposed woodwind doublings in the Classical orchestra
  • Understanding four-movement symphonic architecture and navigating sectional contrasts
  • Performing Classical articulation conventions for strings and winds
  • Interpreting allegro spiritoso and presto markings with appropriate tempo and character
  • Ensemble coordination across independent string and wind lines

You May Also Like