Symphony No. 35 in D, K. 385 'Haffner Symphony' Cover Image

Symphony No. 35 in D, K. 385 'Haffner Symphony': Full Orchestra, Conductor Score & Parts

$95.00 USD
Sale price  $95.00 USD Regular price 
Skip to product information
Symphony No. 35 in D, K. 385 'Haffner Symphony' Cover Image

Symphony No. 35 in D, K. 385 'Haffner Symphony': Full Orchestra, Conductor Score & Parts

By Wolfgang Amadeus Mozart

Item: 36-A181002

$95.00
Shipped

One moment…

Description
Wolfgang Amadeus Mozart (1756-1791) composed his SYMPHONY No. 35 in D Major, K. 385, in the summer of 1782. It is also known as the HAFFNER SYMPHONY after the affluent Salzburg family by which it was commissioned. The occasion of the premiere was to celebrate the ennoblement of Haffner's song Sigmund. In preparation for the first public performance at the Burgtheater in Vienna on March 23, 1783, Mozart scrapped two movements and embellished the instrumentation with flutes and clarinets. As Joseph II had been in attendance, he later wrote that he was pleased by the Emperor's enthusiastic applause. Instrumentation: 2.2.2.2: 2.2.0.0: Timp: Str (4.4.3.3.3 in set).

Symphony No. 35 in D, K. 385 'Haffner Symphony': Full Orchestra, Conductor Score & Parts isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

No sample pages found.

Sample Audio
No sample audio found.
Sample Video
Additional Details
Series: Kalmus Orchestra Library
Publisher: Keiser Productions, Inc.
UPC: 659859080901
SKU: 36-A181002
Instrumentation: 2.2.2.2: 2.2.0.0: Timp: Str (4.4.3.3.3 in set)

More about this title

About the Composer: Wolfgang Amadeus Mozart

Wolfgang Amadeus Mozart (1756-1791) was an Austrian composer whose output spanned nearly every genre of his era. Born in Salzburg, he spent his formative years traveling throughout Europe as a virtuoso performer before establishing himself in Vienna, where he composed his most celebrated works. His forty-one symphonies chart the evolution of Classical form from his childhood to his final years, blending structural clarity with harmonic sophistication and melodic grace that influenced generations of composers.

Mozart's symphonies occupy a distinctive pedagogical space in orchestral repertoire. They reward careful attention to balance and phrasing while remaining accessible to orchestras at intermediate to advanced levels. His writing for winds and strings demonstrates transparent orchestration that allows individual players to hear their role within the texture, making these works invaluable for teaching ensemble listening and sectional integration.

Why we love this

The Haffner Symphony sits at an ideal intersection of accessibility and musical substance. Mozart's revised orchestration (with added flutes and clarinets for the Vienna premiere) creates a richer palette than typical early Classical symphonies, and the four-movement structure offers variety without overwhelming rehearsal resources. Programming this work signals serious orchestral ambition while remaining performable by developing ensembles.

What to expect

The Haffner opens with courtly brilliance and unfolds with the elegant proportions of mature Classicism. Moments of genuine lyrical warmth emerge without sentimentality, and the orchestral color feels fuller than you might expect from an eighteenth-century symphony, thanks to Mozart's decision to enhance the woodwind writing before the premiere. It concludes with spirited propulsion and a sense of ceremonial completion.

Who it's for

This work suits orchestras at the intermediate-advanced level with secure string sections and reliable woodwind players capable of independent phrasing. It works particularly well for orchestras preparing students for college auditions or seeking to build a Classical foundation before tackling Beethoven or larger Romantic works.

How to get the most out of it

  • Attend carefully to the balance between first and second violin parts in the opening theme. Mozart's scoring often gives the second violins substantial material that risks disappearing if the first violins dominate; establish clear dynamic hierarchy in rehearsal so both lines sing.
  • Shape the slow movement with long, connected phrases rather than allowing the Andante to fragment into isolated gestures. The movement's expressive power depends on sustained lines across the full ensemble.
  • Coordinate articulation between winds and strings in the Minuet and Trio. Consistent tonguing among the woodwinds and matching bow strokes in the strings create the rhythmic precision Classical style demands.
  • Bring the tempo of the final Presto up enough to feel energetic without sacrificing clarity in the rapid figurations. A conductor who drives the pulse slightly forward often finds the movement sits better than one who holds back.

How to use it

Program the Haffner Symphony as an anchor for a concert exploring Mozart's orchestral mastery, pairing it with a Mozart concerto or shorter work to create thematic coherence. It also serves effectively as the closing work on a concert, providing an appropriate capstone that demonstrates your orchestra's technical control without demanding the extra rehearsal weight of much larger works.

Skills your students will build

  • Balancing transparent four-part orchestral texture while maintaining independent line integrity
  • Executing Classical phrasing within strictly metric frameworks
  • Coordinating articulation and dynamic shaping across multiple sections
  • Reading and performing in D major with secure intonation across the ensemble
  • Responding to subtle interpretive direction from the conductor within a classical style framework

You May Also Like