Symphony No. 3 'Ilya Murometz' in B minor, Op. 42: Movement III Cover Image

Symphony No. 3 'Ilya Murometz' in B minor, Op. 42: Movement III: Full Orchestra, Conductor Score & Parts

$190.00 USD
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Symphony No. 3 'Ilya Murometz' in B minor, Op. 42: Movement III Cover Image

Symphony No. 3 'Ilya Murometz' in B minor, Op. 42: Movement III: Full Orchestra, Conductor Score & Parts

By Reinhold Gliere

Item: 36-A337202

$190.00
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Description
Reinhold Glière (1875-1956) composed this large symphonic work between 1908 and 1911, and it earned the composer his third Glinka Award. The SYMPHONY No. 3 in B minor, Op. 42 ("ILYA MUROMETZ" or "ILIA MOUROMETZ") is a programmatic work that depicts the life of folk hero Ilya Murometz, with each of the four movements depicting an episode of the epic. The 80 - 90 minute long work premiered on March 23, 1912, in Moscow by the Russian Musical Society Orchestra under the baton of Emil Cooper. In Movement III, Chez Vladimir Beau Soleil (The Palace of Prince Vladimir), Vladimir the Great of Kiev holds a great feast, at which Ilya decapitates Solovei. The Kalmus edition of Glière's work is published in four volumes, one for each movement. Instrumentation: Movement III only: 3(3rd d.Picc)+Picc.3+EH.3+BCl.3+CBsn: 6.4.4.1: Timp.Perc(5): 2Hp.Clst: Str (9-8-7-6-5 in set) or Complete Symphony: 3(3rd d.Picc)+Picc.3+EH.3+BCl.3+CBsn: 8.4.4.1: Timp.Perc(6): 2Hp.Clst: Str (9-8-7-6-5 in set). Reprint edition.

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Additional Details
Series: Kalmus Orchestra Library
Publisher: Keiser Productions, Inc.
UPC: 612735551995
SKU: 36-A337202
Instrumentation: Mvmt III: 3(3rd d.Picc)+Picc.3+EH.3+BCl.3+CBsn: 6.4.4.1: Timp.Perc(5): 2Hp.Clst: Str (9-8-7-6-5 in set) or Complete Symphony: 3(3rd d.Picc)+Picc.3+EH.3+BCl.3+CBsn: 8.4.4.1: Timp.Perc(6): 2Hp.Clst: Str (9-8-7-6-5 in set)

More about this title

About the Composer: Reinhold Gliere

Reinhold Glière (1875-1956) stands as one of Russia's most prolific orchestral composers, with a catalog spanning symphonies, ballets, concertos, and film scores that shaped Soviet musical life across five decades. His early training at the Moscow Conservatory under Taneyev positioned him as a bridge between 19th-century Russian romanticism and 20th-century modernism, though he remained committed to lyrical melody and programmatic storytelling throughout his career.

Glière's orchestration mastery earned him three Glinka Awards, the highest honor of the Russian Musical Society. His gift for vivid instrumental color and sweeping harmonic writing made him equally at home writing for concert hall, ballet stage, and cinema, influencing generations of Russian composers who followed.

Why we love this

This movement captures one of the most viscerally dramatic moments in the Murometz legend with orchestration that justifies every desk in your ensemble. Glière writes with such clarity and theatrical momentum that even the massive instrumentation never feels bloated; instead, the palette becomes a storytelling tool that brings Vladimir's court to life and the hero's violent deed into sharp focus.

What to expect

A sumptuous, ornate feast scene unfolds with shimmering harp arpeggios and lush harmonic color, then shifts abruptly into raw violence as the hero strikes. The music pulses with folk-inflected melody and swagger, capturing both the magnificence of Vladimir's court and the elemental power of myth and legend.

Who it's for

Conductors of advanced amateur orchestras, professional ensembles, and conservatory orchestras ready to tackle large-scale Russian romantic repertoire with complex sectional balance and sustained dramatic architecture. This movement works particularly well for ensembles with strong string sections and sufficient woodwind and brass depth to handle independent lines throughout.

How to get the most out of it

  • Balance the woodwind choir carefully during the grand feast music; the three clarinets and three oboes will easily overwhelm the strings if not monitored in rehearsal.
  • Give the percussion section specific attention to intonation in the timpani rolls and to rhythmic precision across the five players, as their entries anchor transitions between the feast's pageantry and the brutal climactic moment.
  • Shape the brass entries (six horns, four trumpets) with dynamic control rather than relying on volume; Glière's harmonic progression often requires the brass to sit underneath rather than dominate.
  • Ensure your harpists understand the full harmonic context of their arpeggios, as the two harps function as both textural color and harmonic support in this luxurious score.

How to use it

Program this movement as a concert centerpiece or the emotional climax of a Russian-focused concert; it works exceptionally well when paired with other Glière orchestral works or positioned between lighter contemporary works to showcase the depth of your orchestra's capabilities. Some conductors perform the complete symphony over multiple concerts or seasons, using individual movements as independent concert pieces.

Skills your students will build

  • Reading complex full orchestra scores with independent woodwind, brass, and percussion lines
  • Balancing multiple simultaneous melodic lines across different instrumental choirs
  • Responding to rapid dynamic shifts and dramatic contrasts within a single movement
  • Sustaining tone quality and intonation across extended passages with harmonic movement
  • Coordinating with two harps and a large percussion section in chamber-like precision moments

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