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Symphony No. 2 (Simfonija Nr. 2): Full Orchestra Score

$190.00 USD
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Symphony No. 2 (Simfonija Nr. 2) Cover Image

Symphony No. 2 (Simfonija Nr. 2): Full Orchestra Score

By Rihards Dubra

Item: 98-EP73404

$190.00
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Description

Rihards Dubra (born Latvia, 1964) wrote his Symphony No. 2 in 2014. It is a large-scale work, over 30 minutes long, in three movements (titled 'Visio', 'Cantus', 'Et vidi...'), for large orchestra comprising triple wind and brass, percussion and harp.

Speaking of symphonic writing, the composer says: 'I don't think a symphony should speak about small, everyday things and issues; it should speak of global, fundamental and substantial things. Only then does it justify the name 'symphony'. It must be something serious.'

This full score (EP 73404) is now available as part of the Peters Baltic Library.

  • Peters Baltic Library is a new series of full scores of orchestral music by contemporary composers from the Baltic States.
  • Published in partnership with the leading music publisher from the region: Musica Baltica.
  • Peters Baltic Library presents a rich selection of compositions that demonstrates both the distinctiveness and the variety of stylistic approaches adopted by the region's most prominent composers.


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Additional Details
Series: Edition Peters
Publisher: Edition Peters
ISBN10: 0-57-701834-5
ISBN13: 979-0-57-701834-8
SKU: 98-EP73404

More about this title

About the Composer: Rihards Dubra

Rihards Dubra emerged from Latvia's vibrant contemporary classical scene, establishing himself as a composer committed to large-scale thinking and symphonic rigor. His work reflects a philosophical stance: that orchestral music must grapple with consequential, universal themes rather than settle for mere technical display or decorative effect.

Dubra's compositional voice draws on the rich modernist traditions of Baltic music while maintaining a distinct personal language. His orchestrations reveal deep understanding of instrumental color and architectural form, qualities that make his scores both challenging and rewarding for musicians engaged with contemporary repertoire.

Why we love this

This is symphonic writing that demands your ensemble take itself seriously. Dubra's refusal to retreat into smaller gestures or safe territory creates a score that respects the capabilities and ambitions of your orchestra. The three-movement structure gives you a complete narrative arc without the burden of a traditional four-movement form, making it accessible for orchestras ready to stretch into contemporary territory.

What to expect

Large, contemplative, and uncompromising. The three movements unfold like philosophical propositions: a vision, a song, and a revelation. The sonic world balances restraint with moments of structural power, never sacrificing clarity for mere orchestral mass.

Who it's for

Orchestras with solid musicianship and a commitment to contemporary repertoire. This score demands the instrumental resources of a full university or professional ensemble and the interpretive maturity to navigate modern harmonic and formal thinking.

How to get the most out of it

  • Study the harmonic language in advance with your leadership team. Dubra's tonal architecture rewards close analysis before you begin rehearsals with the full ensemble.
  • Balance the weight between triple woodwinds and brass carefully; the density can obscure clarity if sections aren't conscious of their dynamic role at any given moment.
  • Allocate rehearsal time to the harp as an independent voice. It often functions structurally rather than decoratively, and the performer needs space to lock in.
  • Record a rough run-through after you've covered the basics. Hearing 30 minutes of your own playing reveals pacing and ensemble cohesion issues that stand out in real time.

How to use it

Schedule this as the centerpiece of a contemporary focused concert or as the anchor work in a program that includes earlier symphonic traditions. At over 30 minutes, it commands its own space and works well paired with shorter complementary pieces rather than buried alongside Romantic standards.

Skills your students will build

  • Reading complex, non-traditional harmonic progressions
  • Balancing transparency in dense orchestrations (triple winds and brass)
  • Sustaining focus and ensemble cohesion across extended formal structures
  • Interpreting contemporary notation and compositional intent
  • Coordinating independent lines across multiple sections

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