Symphony (No. 17) for Metal Orchestra Op. 203: Mixed Ensemble

Hovhaness's symphonies reward conductors willing to explore beyond the standard Germanic symphonic tradition. This work's integration of percussion with strings creates textural possibilities that challenge ensemble players to listen across instrumental families while maintaining rhythmic cohesion. The 64-page score suggests substantial development of thematic material, offering substantive repertoire for conductors building programs around 20th-century American composers.

Hovhaness's symphonic language draws the listener into a contemplative space where melody flows across shifting harmonic landscapes. The addition of percussion colors the string textures with rhythmic vitality and timbral contrast, creating moments of both intimate reflection and orchestral grandeur that feel timeless rather than dated.

String orchestras with capable percussion players seeking substantive symphonic repertoire beyond the standard canon. College and community orchestras will find this an accessible entry point into Hovhaness's catalog, while advanced high school ensembles can tackle the work as a signature piece demonstrating their ability to manage contemporary American idiom.

• Balance the percussion parts carefully during tutti sections; these instruments should enhance rather than overshadow the string writing, even when the score calls for fuller texture.
• Pay close attention to the modal harmonic language typical of Hovhaness, which may feel unfamiliar to players trained primarily on tonal repertoire; clear conducting of phrase shapes helps clarify the composer's harmonic intent.
• Work the percussion section independently before full rehearsals to establish secure rhythmic foundations, particularly if the writing involves syncopated or off-beat articulations.

This symphony works effectively as a centerpiece for concerts exploring 20th-century American orchestral music or as a thoughtful contrast to Romantic-era symphonies. Consider pairing it with other Hovhaness works or contemporary pieces by composers working in similar harmonic language to create a cohesive concert theme that demonstrates the range of post-tonal American composition.

• Reading and performing modal harmonic language
• Ensemble listening across mixed instrumental families (strings and percussion)
• Rhythmic independence within a symphonic structure
• Sustained lyricism in longer architectural forms