Symphony No. 13 "Madras" Cover Image

Symphony No. 13 "Madras": Full Score

$75.00 USD
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Symphony No. 13 "Madras" Cover Image

Symphony No. 13 "Madras": Full Score

for Orchestra

By Henry Cowell

Item: 98-EP6121

$75.00
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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 44
ISBN10: 0-30-070885-8
ISBN13: 979-0-3007-0885-0
SKU: 98-EP6121

More about this title

About the Composer: Henry Cowell

Henry Cowell (1897–1965) was an American composer, pianist, and music theorist whose work fundamentally expanded what strings could do. A pioneer of extended techniques and unconventional notation, Cowell invented the tone cluster and explored prepared piano decades before John Cage. His prolific output spanned symphonies, chamber works, and experimental pieces that bridged modernism with American vitality.

Cowell's string writing demands musicians think beyond traditional boundaries. His thirteen symphonies showcase his gift for orchestration and his belief that new sounds serve expressive purpose, not novelty. Teaching his music trains conductors and players to embrace notational complexity and listen for color in unfamiliar harmonic territory.

Why we love this

Cowell's Thirteenth Symphony offers conductors a mid-twentieth-century score that resists easy categorization without becoming inaccessible. The writing is idiomatic for strings, the architectural thinking is clear, and the sonic palette rewards careful attention to balance and articulation. Programming this alongside more conventional romantic or contemporary works signals to your ensemble and audience that twentieth-century string literature extends far beyond Bartók and Stravinsky.

What to expect

Intellectually vital and sonically adventurous. Cowell's harmonic language unfolds with both logic and mystery, creating moments of luminous clarity alongside passages of layered density. The work feels constructed rather than impulsive, rewarding patient listening and disciplined ensemble work.

Who it's for

String orchestra conductors seeking substantial twentieth-century repertoire that challenges without overwhelming intermediate to advanced ensembles. Directors who want to build their musicians' literacy in modern string writing and expand their students' listening expectations.

How to get the most out of it

  • Study Cowell's performance notes and any printed instructions regarding tone clusters or extended techniques before rehearsal; clarify notation with your stand partners so bow and left-hand coordination is unanimous.
  • Allow extra rehearsal time for sections with unconventional rhythmic groupings or notational challenges; breaking these into smaller units and drilling rhythm independently accelerates accuracy.
  • Balance transparency in texture: Cowell often layers independent lines that must remain audible. Use dynamic restraint in supporting voices and encourage precise attacks to define each strand.
  • Reference the composer's own recordings or performances if available; hearing his intent for tempo and character shapes your interpretation more effectively than score study alone.

How to use it

Position this as a centerpiece for a contemporary music concert or as a bold neighbor to earlier twentieth-century works (Britten, Copland). It also serves well in educational showcases where you want to demonstrate your ensemble's technical range and interpretive maturity. The forty-four page score makes it substantial enough to anchor a program without requiring multiple short pieces.

Skills your students will build

  • Reading twentieth-century notation and extended string techniques
  • Balancing independent melodic lines in complex textures
  • Coordinating rhythmic precision across multiple meters or subdivisions
  • Responding to modernist harmony through careful listening and intonation adjustment
  • Understanding how tone color and articulation shape form in atonal and polytonal writing

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