Symphony No. 12 Op. 188 Cover Image

Symphony No. 12 Op. 188: Full Score

$120.00 USD
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Symphony No. 12 Op. 188 Cover Image

Symphony No. 12 Op. 188: Full Score

Choral

By Alan Hovhaness

Item: 98-EP6352

$120.00
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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 106
ISBN10: 0-30-071220-0
ISBN13: 979-0-30-071220-8
SKU: 98-EP6352

More about this title

About the Composer: Alan Hovhaness

Alan Hovhaness (1911-2000) was an American composer of Armenian descent whose prolific output spanned nearly seven decades and included more than 500 works. His music draws deeply from Armenian folk traditions, Eastern Orthodox chant, and a fascination with non-Western musical systems, creating a sound world that feels both ancient and accessible. Hovhaness championed the idea that composers could write tonal, melodically rich music without abandoning modernist concerns, and his work earned him recognition as one of the most performed American symphonists of the late twentieth century.

For orchestras and music educators, Hovhaness's symphonies offer an alternative to the dominant European canon. His textures are often transparent, his orchestration considerate of ensemble balance, and his harmonic language rooted in modal and pentatonic thinking rather than post-Webernian complexity. This approach makes his scores both pedagogically rewarding to study and emotionally direct for audiences.

Why we love this

Hovhaness's twelfth symphony sustains the lyrical, spiritually grounded approach that defines his mature style, asking an orchestra to play with clarity and restraint rather than virtuosic display. The full score invites conductors to explore how transparency of texture and modal harmony can create profound musical moments without relying on the late-Romantic devices most young musicians encounter first. Programming this work signals to your audience and students that American orchestral music extends far beyond the expected landmarks.

What to expect

The symphony unfolds with the contemplative quality of sacred music, drawing on Hovhaness's deep engagement with Armenian spiritual traditions. Its textures evoke open spaces and timeless melodic material, creating a sense of reverence without sentimentality, and the orchestral colors shift subtly, as if watching light change across a landscape.

Who it's for

This score serves advanced high school orchestras, university ensembles, and professional orchestras seeking repertoire that expands beyond the standard symphonic canon. Conductors preparing musicians for graduate-level study will find the orchestration and harmonic language particularly instructive for teaching how non-traditional pitch systems organize large-scale form.

How to get the most out of it

  • Balance the inner voices carefully during the sustaining passages; Hovhaness's orchestration rewards attention to secondary melodies and harmonic support lines that lesser-rehearsed ensembles often bury.
  • Allow the modal and pentatonic material to breathe without imposing the vibrato-heavy warmth typical of late-Romantic conducting; the music's power lies partly in its stillness.
  • Study the string and wind doublings in the score to understand how Hovhaness colors single melodic lines; this teaches players how orchestral color functions compositionally, not just decoratively.

How to use it

This work pairs naturally with other twentieth-century American symphonies that resist twelve-tone or serialist approaches, or with concert themes exploring cultural identity in classical music. Its meditative character makes it an effective closer for a program seeking to leave the audience in a reflective state rather than one of excitement.

Skills your students will build

  • Understanding modal and pentatonic harmonic systems in large orchestral form
  • Balance and clarity in transparent orchestral textures
  • Reading and executing non-traditional notational approaches to rhythm and pitch
  • Historical awareness of American symphonists outside the European-centered canon

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