Symphony No. 104 (London) Cover Image

Symphony No. 104 (London): String Orchestra Conductor Score & Parts

$70.00 USD
$70.00 USD
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Symphony No. 104 (London) Cover Image
Symphony No. 104 (London): String Orchestra Conductor Score & Parts

Symphony No. 104 (London): String Orchestra Conductor Score & Parts

Finale

By Joseph Haydn / arr. Jim Palmer

Grade: 3.5

Item: 00-49953
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Description
Symphony No. 104 by Franz Joseph Haydn, arranged by Jim Palmer, is a charming symphony movement from the Classical Era that will capture students' attention immediately. The catchy melody, crisp rhythms, and varied dynamics will bring excitement to every performance. Precise articulations, bowings, fingerings, and an optional timpani part make this arrangement true to the original! This piece is a perfect opener or closer to any concert or festival performance. (4:00)

The PerformancePlus+ series is an innovative addition to the ever-expanding MakeMusic Cloud interactive library. These engaging selections are presented with educational resources designed to enrich the rehearsal process and create outstanding performances. Including:
  • Assignment, recording, and assessment tools within MakeMusic Cloud
  • Piece-specific exercises focused on skills and techniques
  • Educational tips and suggestions to support learning

Available in print and digital formats.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Symphony No. 104 (London): String Orchestra Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Highland/Etling String Orchestra - PerformancePlus+
Publisher: Alfred Music
ISBN10: 1-4706-6250-7
ISBN13: 978-1-4706-6250-9
UPC: 038081579719
SKU: 00-49953

More about this title

About the Composer: Joseph Haydn

Joseph Haydn spent most of his career as the court composer for the Esterházy family in Hungary, where he developed the symphonic form into something genuinely expressive and inventive. His 104 symphonies chart the evolution of orchestral writing from the Baroque toward Romanticism, and they remain essential listening for understanding how Classical composers balanced structure with wit and humanity.

The London symphonies, written late in his life for performances in England, showcase Haydn at his most confident. These works have none of the tentative quality of early symphonies; instead, they arrive fully realized, with orchestration that still sounds modern and melodies that lodge themselves in memory.

Why we love this

Palmer's arrangement captures what makes this symphony irresistible: the propulsive forward motion, the clarity of its thematic ideas, and those unexpected dynamic shifts that keep listeners engaged. At Grade 3.5, students tackle genuine orchestral writing without drowning in complexity, and the optional timpani part gives you flexibility depending on your instrumentation.

What to expect

Elegant and buoyant, with the kind of clarity that makes you hear every voice in the ensemble. Haydn's orchestration sparkles, and even at this Grade level, the arrangement preserves that transparency and wit that makes audiences smile.

Who it's for

Conductors programming festival concerts or building a repertoire that honors the Classical canon without requiring advanced technical chops. String programs at the secondary level will find this accessible enough to learn quickly yet substantial enough to perform with genuine musicianship.

How to get the most out of it

  • Shape the opening melody with slight dynamic tapering at phrase ends; Haydn's humor often lives in the spaces between statements, not just in the bright articulations.
  • Lock the rhythmic figures that repeat across the ensemble. What might sound like filler actually drives the form forward, so precision here pays dividends.
  • Balance the two violin lines carefully; Haydn frequently sets them in conversation, and if the seconds are buried, the conversation disappears.
  • If you're using the timpani part, keep it restrained. The instrument should color the texture, not dominate it.

How to use it

Open a concert with this to set a sophisticated tone immediately, or place it after a contemporary work to remind the audience of the roots from which modern concert music grew. At just over four minutes, it pairs beautifully with longer pieces that need a complement.

Skills your students will build

  • Dynamic shaping within Classical phrases
  • Articulation clarity across ensemble (staccato, legato, and marcato distinctions)
  • Part independence in dialogue between violin sections
  • Rhythmic precision in repeated figures that drive harmonic progression
  • Bowings that serve phrasing rather than just technical ease

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