Symphony No. 1 in E minor, Op. 1 (2nd version) Cover Image

Symphony No. 1 in E minor, Op. 1 (2nd version): Full Orchestra, Ensemble Works, Full Score

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Symphony No. 1 in E minor, Op. 1 (2nd version) Cover Image

Symphony No. 1 in E minor, Op. 1 (2nd version): Full Orchestra, Ensemble Works, Full Score

By Nicolai Rimsky-Korsakov

Item: 36-A703501

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Description
Nikolai Rimsky-Korsakov's (1844-1908) path to completion of his Symphony No. 1, Op. 1 was less direct than is usual. While he had sketched ideas for the symphony as a result of his compositions lessons with F.A. Kanille, it was Rimsky-Korsakov's mentor, Mily Balakirev, that really encouraged the young aspiring composer to continue the work. Before he could finish the symphony, his duties in the Russian navy took priority, although the 18-year-old continued to compose the work during his 3-year world tour. Rimsky-Korsakov finished the work during a stop in London, then mailed the score to Balakirev, who held it until the naval tour was complete. Following the end of the tour and his return to St. Petersburg in 1865, Balakirev suggested additional work on the symphony. Balakirev then conducted the premiere of the symphony in December of 1865 to great success, though the audience was surprised to see a man wearing the uniform of a navy officer when the composer was asked to stand during the applause. In 1884, Rimsky-Korsakov transposed the work from E-flat minor to E minor to make it easier for student and amateur orchestras to perform, and he also reversed the order of the slow movement and scherzo. This second version is the standard one performed today. Instrumentation: 2.2.2.2: 4.2.3.0: Timp: Str (9-8-7-6-5 in set).

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Additional Details
Series: Kalmus Orchestra Library
Publisher: Keiser Productions, Inc.
ISBN10: 8-88-852579-3
ISBN13: 979-8-88-852579-1
UPC: 746241212115
SKU: 36-A703501
Instrumentation: 2.2.2.2: 4.2.3.0: Timp: Str (9-8-7-6-5 in set)

More about this title

About the Composer: Nicolai Rimsky-Korsakov

Nikolai Rimsky-Korsakov (1844-1908) built his compositional voice while serving in the Russian Imperial Navy, an unusual path that shaped his artistic development. Mentored by Mily Balakirev, he became a central figure in the Russian nationalist school and eventually a professor at the St. Petersburg Conservatory, where he taught orchestration through direct engagement with scores and revisions of his own works. His orchestral writing revolutionized Russian composition, and his willingness to revisit and refine earlier works, as evidenced by his revision of this symphony, demonstrates his commitment to craftsmanship and accessibility for performers.

Why we love this

This is the version orchestras actually play today. The transposition to E minor and reordering of movements that Rimsky-Korsakov made in 1884 were deliberate improvements for performance clarity and musicianship, not compromises, so you're working with a composer-approved score refined through practical experience. The full orchestra texture showcases his mastery of instrumental color while remaining accessible to ensembles that include developing musicians.

What to expect

The symphony unfolds with the restless energy of youth, its themes shifting between melancholic reflection and passionate assertion, all wrapped in orchestral colors that feel both precise and painterly. The work breathes with Russian Romantic sensibility, lyrical and dramatic by turns, never settling into a single mood for long.

Who it's for

Conductors programming a mid-to-advanced repertoire symphony that demonstrates Romantic orchestration at its finest. This work suits orchestras with solid sectional playing who are ready to tackle the technical demands of the full orchestra texture and the interpretive nuance Rimsky-Korsakov's writing requires.

How to get the most out of it

  • Balance the first violins carefully against the woodwind writing in the opening movement; Rimsky-Korsakov's orchestration often asks the strings to accompany rather than lead, so resist the urge to push string tone.
  • Bring attention to the timbral shifts between sections. The piece rewards conductors who listen for how the composer moves color between instruments rather than treating each section as a monolithic block.
  • Use rehearsal letters or measure numbers to create specific touchpoints with the ensemble. The work's length and developmental nature benefit from transparent structural navigation.

How to use it

Pair this with other Russian Romantic works or use it as a centerpiece in a concert exploring 19th-century national schools. The work's moderate length and clear dramatic arc make it an excellent teaching piece for intermediate-level orchestras working toward more complex repertoire.

Skills your students will build

  • Reading and executing complex woodwind doublings and counterpoint
  • Responding to shifting orchestral color and instrumental balance
  • Maintaining ensemble cohesion across extended developmental passages
  • Interpreting Romantic rubato and phrasing within a large ensemble context
  • Understanding orchestration as a primary compositional tool

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