Symphony Concertante No. 1 Cover Image

Symphony Concertante No. 1: String Orchestra Conductor Score

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Symphony Concertante No. 1 Cover Image

Symphony Concertante No. 1: String Orchestra Conductor Score

Allegro

By Joseph Bologne, Chevalier de St. George / arr. Jim Palmer

Grade: 2.5

Item: 00-50836S

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Description
Symphony Concertante No. 1 by Joseph Bologne, Chevalier de St. George, arranged by Jim Palmer, is a beautiful example of a classical work from an underrepresented composer. Detailed dynamics, bowings, and fingerings allow students to experience the classical style. Originally written for two solo violins and string orchestra, this arrangement provides an opportunity for the standard string orchestra to experience this work. The rhythmic drive makes it an excellent opener or closer for any festival or concert. (3:45)

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Additional Details
Series: Highland/Etling String Orchestra
Publisher: Alfred Music
ISBN10: 1-4706-6818-1
ISBN13: 978-1-4706-6818-1
UPC: 038081587059
SKU: 00-50836S

More about this title

About the Composer: Joseph Bologne

Joseph Bologne, Chevalier de St. George (1745-1799) was a Guadeloupean-born violinist and composer who achieved prominence in Paris during the late 18th century. A virtuoso on the violin and accomplished conductor, he composed over 100 works across multiple genres, including symphonies, concertos, and chamber music that circulated widely throughout Europe during his lifetime.

Bologne's music exemplifies the classical style at its most elegant and refined. His orchestral writing demonstrates sophisticated harmonic language and clear structural forms typical of his era, while his understanding of the violin—informed by his own mastery of the instrument—ensures that his compositions remain vibrant and grateful to play even today.

Why we love this

This arrangement makes an important work accessible to the standard string orchestra without sacrificing the elegance of the original composition. Bologne's crafted orchestration and forward-driving rhythmic momentum give your ensemble a substantive, concert-ready piece that also serves as a gateway to a composer whose contributions have been historically overlooked in standard repertoire lists.

What to expect

Graceful and purposeful, with the formal elegance of the classical era and a rhythmic vitality that keeps the piece moving forward. The writing is transparent enough that each section can hear its role clearly, yet the overall effect is one of poise and craftsmanship.

Who it's for

String orchestra directors programming Grade 2.5 repertoire who want to include works from composers beyond the most familiar names. This arrangement suits ensembles ready to engage with genuine classical orchestration while still building fundamental musicianship and ensemble balance.

How to get the most out of it

  • Shape the melodic lines with attention to the marked dynamics and articulations; the careful bowings and fingerings provided offer a direct path to authentic classical style interpretation.
  • Maintain rhythmic precision in the accompanying figures so that the principal voices sing clearly above a steady, well-defined accompaniment.
  • Balance the string choir across all parts; with no other instruments present, each section's part contributes visibly to the overall texture.
  • Use the 3:45 length to your advantage as either an energetic opener that builds momentum for a concert or a satisfying closer that leaves the audience with a memorable classical statement.

How to use it

The moderate length and driving energy make this ideal as a concert opener, setting a sophisticated tone while immediately engaging the audience. Alternatively, program it as a closing selection to send listeners home with an appreciable classical statement that demonstrates your ensemble's command of style and balance.

Skills your students will build

  • Reading and executing detailed dynamic markings and articulations
  • Maintaining independent rhythmic parts while supporting principal melodic voices
  • Understanding classical orchestration and voice leading
  • Sustaining stylistically appropriate phrasing across multiple phrase structures
  • Balancing within a transparent string orchestra texture

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