Symphonies for Small Orchestra, No. 5: Dixtuor d'Instruments a Vent, Op. 75 (Chamber Symphony No. 5) Cover Image

Symphonies for Small Orchestra, No. 5: Dixtuor d'Instruments a Vent, Op. 75 (Chamber Symphony No. 5): Wind Ensemble, Ensemble Works, Conductor Score

$15.00 USD
$15.00 USD
Skip to product information
Symphonies for Small Orchestra, No. 5: Dixtuor d'Instruments a Vent, Op. 75 (Chamber Symphony No. 5) Cover Image
Symphonies for Small Orchestra, No. 5: Dixtuor d'Instruments a Vent, Op. 75 (Chamber Symphony No. 5): Wind Ensemble, Ensemble Works, Conductor Score

Symphonies for Small Orchestra, No. 5: Dixtuor d'Instruments a Vent, Op. 75 (Chamber Symphony No. 5): Wind Ensemble, Ensemble Works, Conductor Score

By Darius Milhaud

Item: 36-A828801
$15.00
Shipped

One moment…

Related Items

Symphonies for Small Orchestra, No. 5: Dixtuor d'Instruments a Vent, Op. 75 (Chamber Symphony No. 5): Wind Ensemble, Ensemble Works, Conductor Score & Parts

$25.00
View
Description
Between 1917 and 1923, Darius Milhaud (1892-1974) wrote a series of six three-movement SYMPHONIES FOR SMALL ORCHESTRA. Crafted on a miniature scale, they exhibit the composer's developing polytonalism, as well as an interest in Latin American folk rhythm and melody. CHAMBER SYMPHONY NO. 5: DIXTUOR D'INSTRUMENTS A VENT, Op. 75 was written in 1922 for a commission by Italian Radio. First performed at Champs-Elysées in Paris the next year, the symphony is dedicated to Marya Freùnd, whom Milhaud had conducted in the premiere of Schoenberg's PIERROT LUNAIRE. Instrumentation: 2(2nd dPicc).1+1(EH).1+1(BCl).2: 2.0.0.0. Reprint edition.

Symphonies for Small Orchestra, No. 5: Dixtuor d'Instruments a Vent, Op. 75 (Chamber Symphony No. 5): Wind Ensemble, Ensemble Works, Conductor Score isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Request This Title

Tell us you want it.

Start Your Free Trial

Explore everything that's ready to play right now.
Sample Pages

No sample pages found.
Sample Audio
No sample audio found.
Sample Video
No sample videos found.
Additional Details
Series: Kalmus Chamber Library
Publisher: Keiser Productions, Inc.
ISBN10: 8-89-810355-7
ISBN13: 979-889-810-3552
UPC: 605258689313
SKU: 36-A828801
Instrumentation: 2(2nd dPicc).1+1(EH).1+1(BCl).2: 2.0.0.0

More about this title

About the Composer: Darius Milhaud

Darius Milhaud (1892-1974) was a French composer of extraordinary prolific output who became a central figure in twentieth-century music. A member of the influential group Les Six, he developed a distinctive harmonic language rooted in polytonalism, the simultaneous use of multiple keys. His compositions span orchestral works, chamber music, operas, ballets, and vocal literature, often infused with rhythmic vitality drawn from his travels and cultural interests, particularly Latin American and jazz idioms.

Millhaud's gift for writing idiomatically across ensembles made him a favorite of performers and educators alike. His chamber symphonies and smaller orchestral works demonstrate that sophisticated compositional ideas need not require massive forces, a principle that has made his music enduringly valuable for conductors seeking repertoire that is musically substantial yet practical for smaller ensembles.

Why we love this

This symphony captures Milhaud at a compositional inflection point, balancing structural clarity with harmonic ambition. The work's lean instrumentation and three-movement arc make it both accessible and genuinely challenging, offering conductors a piece that rehearses well while never sacrificing musical substance or the composer's signature polytonality.

What to expect

Petite yet cosmopolitan, this symphony moves with the confidence of a composer uninterested in grandeur. Its polytonality creates a shimmering harmonic palette that feels simultaneously approachable and complex, while Latin rhythmic inflections infuse even moment with character and forward motion.

Who it's for

Conductors leading advanced wind ensembles or chamber orchestras looking for twentieth-century repertoire that rewards thorough musicianship without extreme technical demands. This work suits programs that seek to introduce students to modernist harmony and form in a compact, elegant package.

How to get the most out of it

  • Balance the winds carefully across the three movements; the polytonal writing requires precision in vertical alignment without overwhelming individual lines. Mark cues in players' parts to support this coordination.
  • Attend to the rhythmic clarity in the outer movements, particularly where the woodwind doublings create textural density. Crisp articulation in the ensemble will prevent the harmonic complexity from becoming muddy.
  • Shape the middle movement with sensitivity to its lyricism; despite its brevity, it provides essential contrast and demands that players find sustained lyricism within the chamber setting.

How to use it

Pair this with other early twentieth-century chamber works to build a compelling concert segment, or program it as a contemporary contrast to a Baroque or Classical ensemble piece. Its manageable length makes it ideal for chamber music recitals or educational concerts that celebrate smaller orchestral forces.

Skills your students will build

  • Reading polytonality and recognizing harmonic sonorities that challenge traditional functional harmony
  • Balancing independent melodic lines while maintaining ensemble cohesion
  • Interpreting twentieth-century notational conventions and articulation marks
  • Executing rhythmic precision in Latin-influenced meters and syncopations
  • Understanding three-movement symphony form on a miniature scale

You May Also Like