Symphonie espagnole Op. 21 (Edition for Violin and Piano) Cover Image

Symphonie espagnole Op. 21 (Edition for Violin and Piano): Violin & Piano

$28.95 USD
Sale price  $28.95 USD Regular price 
Skip to product information
Symphonie espagnole Op. 21 (Edition for Violin and Piano) Cover Image

Symphonie espagnole Op. 21 (Edition for Violin and Piano): Violin & Piano

For Violin and Orchestra, Solo Part ed. by Carl Herrmann

By Édouard Lalo / ed. Carl Hermann

Item: 98-EP3797

$28.95
Shipped

One moment…

Description

Symphonie espagnole Op. 21 (Edition for Violin and Piano): Violin & Piano isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

No sample pages found.

Sample Audio
No sample audio found.
Sample Video
Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 72
ISBN10: 0-01-401837-3
ISBN13: 979-0-0140-1837-5
SKU: 98-EP3797

More about this title

About the Composer: Édouard Lalo

Édouard Lalo (1823-1892) was a French composer and violinist whose output centered on works for strings. His training at the Paris Conservatoire shaped a compositional voice rooted in Romantic lyricism and Spanish-inflected melody, which he explored most fully in his violin concertos and chamber works.

The Symphonie espagnole stands as his best-known achievement. Written in 1874 for Spanish violinist Pablo de Sarasate, it captures Lalo's gift for orchestral color and sustained melodic writing while engaging the virtuosity its dedicatee demanded. The work has remained a cornerstone of the violin recital repertoire for nearly 150 years.

Why we love this

This is the standard edition for violinists preparing the work, and it delivers exactly what performers need: clear engraving, editorial clarity, and a piano reduction that supports both learning and performance. The Symphonie espagnole offers an accessible entry point to Romantic-era virtuoso writing without the technical extremes of later 19th-century showpieces.

What to expect

The Symphonie espagnole glows with Mediterranean warmth and Romantic yearning. Its five movements alternate between lyrical singing passages that unfold over rich harmonic progressions and lighter, more playful episodes that flash with Spanish color and rhythmic vitality. The overall arc moves from introspective beauty toward exuberance without ever abandoning elegance.

Who it's for

This Edition Peters score serves violinists preparing the work for recital, competition, or audition, as well as teachers assigning it to upper-intermediate and advanced students. Pianists accompanying the work will find a reduction that reflects standard performance practice and supports both rehearsal and concert use.

How to get the most out of it

  • Shape the opening Allegro non troppo theme with long-term phrasing in mind; resist the impulse to rush through melodic passages even when the texture quickens around you.
  • The Scherzando second movement sits high and light; treat it as a conversation between violin and piano rather than a display piece.
  • Anchor the Rondo finale's Spanish rhythmic motifs so the accompaniment can lock in; clarity of articulation matters more than speed.
  • Balance vibrato intentionally across all five movements; Lalo's lines reward a warm, sustained tone but also need definition when passagework accelerates.

How to use it

Program this as a substantial solo work on a full recital, where its five-movement structure justifies the time and provides programming contrast with smaller character pieces or sonatas. It also serves as an excellent capstone performance for advanced violin students in studio settings, marking the completion of a significant technical and musical achievement.

Skills your students will build

  • Sustaining long melodic lines with consistent vibrato and tone quality across all registers
  • Navigating rhythmic clarity in Spanish-inflected accompaniment patterns (habanera and bolero rhythms)
  • Balancing virtuoso passagework with lyrical singing in rapid figuration
  • Coordinating multi-movement form awareness and tonal continuity across contrasting tempos
  • Collaborating with piano accompaniment to shape ensemble phrasing and balance

You May Also Like