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Symphonic Rhapsody (Edition for Alto Saxophone and Piano): Saxophone

$53.00 USD
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Symphonic Rhapsody (Edition for Alto Saxophone and Piano) Cover Image

Symphonic Rhapsody (Edition for Alto Saxophone and Piano): Saxophone

Concerto for Alto Saxophone and Orchestra

By John Anthony Lennon

Item: 98-EP67098A

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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 60
ISBN13: 979-0-300-73500-9
SKU: 98-EP67098A

More about this title

Why we love this

Lennon writes for the alto saxophone with genuine understanding of the instrument's lyrical strengths and technical range. This work demands serious musicianship without sacrificing accessibility, making it an excellent choice for saxophonists ready to step beyond typical educational fare but not yet prepared for avant-garde concert repertoire.

What to expect

A rhapsodic journey that balances reflective, singing passages with moments of spirited energy. The partnership between saxophone and piano creates an intimate dialogue, shifting between accompaniment-soloist roles in ways that keep both players engaged throughout.

Who it's for

Advanced alto saxophone students and semi-professional players seeking concert repertoire that combines accessible musicality with real technical and interpretive demands. Chamber ensembles and recital performers will find this an effective vehicle for showcasing the saxophone in mixed instrumentation.

How to get the most out of it

  • Balance the melody against the piano accompaniment carefully; the keyboard part is substantial enough that it can easily overshadow the saxophone line if not managed dynamically.
  • Attend to phrase architecture across longer musical statements. This piece rewards singers who think in terms of complete ideas rather than individual measures.
  • The printed 60 pages suggest scope and development; allow rehearsal time for learning the overall architecture before polishing individual passages.

How to use it

This works beautifully as a recital centerpiece or as part of a concert pairing classical and contemporary works. At 60 pages, it's substantial enough to anchor a full program but compact enough to share a concert with chamber works or shorter solo pieces.

Skills your students will build

  • Sustained phrase management over extended melodic lines
  • Dynamic control and balance in chamber music settings
  • Interpretation of rhapsodic form and sectional development
  • Collaboration with a complex piano accompaniment
  • Endurance for performance at semi-professional length

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