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Switchbacks: Concert Band Conductor Score & Parts

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Switchbacks: Concert Band Conductor Score & Parts

By Jack Wilds

Grade: 2.5

Item: 98-B1786

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Description
Embark on an exhilarating climb up a mountain trail with this compelling work that explores both quiet, thoughtful moments and big, powerful themes. After exerting a ton of energy during the ascent, the climber reaches the top and the piece ends as it began while the climber stares breathlessly at the incredible view from the top.

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Additional Details
Series: FJH Young Band
Publisher: The FJH Music Company, Inc.
UPC: 241444405154
SKU: 98-B1786

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About the Composer: Jack Wilds

Jack Wilds

Jack Wilds composes for ensembles spanning from children's choirs to professional orchestras, drawing inspiration from visual art, literature, and philosophical texts alongside purely musical ideas. His output includes over 40 works for developing musicians, and his wind band compositions appear regularly on festival required repertoire lists across multiple continents. He has studied composition with Michael Ippolito, Chris Trapani, and Donald Grantham, and his chamber works have been performed by ensembles including the Attacca Quartet, the University of Texas New Music Ensemble, and members of the New York Philharmonic and Atlanta Symphony.

A former public school band director, Wilds brings classroom experience to every score he writes. He currently teaches composition, theory, ear training, and music technology at Texas State University while serving as Co-Director of Music at First Presbyterian Church in San Marcos. He regularly clinics and adjudicates with bands nationwide and has been featured at the International Trombone Festival, the International Horn Symposium, and the Midwest Clinic.

Why we love this

Wilds structures this piece as a genuine narrative arc rather than a series of contrasting sections, making the climb feel earned and the summit payoff genuinely satisfying. The Grade 2.5 difficulty sits in that sweet spot where bands can execute both the lyrical passages and the powerful climax without oversimplifying the musical intent. It's ideal for contests because the program note gives adjudicators a clear interpretive framework while allowing your band's musicality to shine through.

What to expect

Switchbacks captures the physical and emotional rhythm of climbing: moments of quiet observation broken by surges of effort, all building toward the silence and awe that comes with reaching a summit. The musical language stays accessible while never condescending, creating an experience that feels genuinely dramatic to both performers and listeners.

Who it's for

Concert bands at the Grade 2.5 level who want a piece with real musical substance and a clear programmatic arc without excessive technical demands. This works especially well for bands developing their ability to sustain longer musical ideas and handle dynamic contrast with maturity.

How to get the most out of it

  • Shape the opening with genuine quietness and restraint; this establishes the altitude you're starting from and makes every dynamic climb feel purposeful.
  • Balance the power moments in the ascent so they build momentum without losing control; bands often rush these sections out of excitement, which flattens the overall trajectory.
  • Find the return to the opening material with fresh ears in the final section; it should feel reflective and earned, not like a simple recap.
  • Use the conductor's score to map exactly where the transition points occur so you can guide students through the journey rather than treating each section as separate.

How to use it

This piece works beautifully as a contest or festival selection where the program note enriches the adjudication experience. It also fits well in a concert that pairs it with either more abstract instrumental works or other program music, giving audiences a satisfying emotional arc within a single performance.

Skills your students will build

  • Sustaining long dynamic arcs across multiple phrases
  • Executing controlled crescendos and diminuendos that serve a narrative
  • Balancing soft, lyrical playing with powerful ensemble sound
  • Responding to conductor gesture that shapes a continuous journey rather than isolated moments
  • Interpreting program music and finding musical intent within a visual or physical concept

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