Sweet Talkin' Guy Cover Image

Sweet Talkin' Guy: Choral Octavo SoundTrax CD

$27.99 USD
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Sweet Talkin' Guy Cover Image

Sweet Talkin' Guy: Choral Octavo SoundTrax CD

Recorded by The Chiffons

Words and music by Barbara Baer, Eliot Greenberg, Doug Morris, and Robert Schwartz [The Chiffons] / arr. Jay Althouse

Item: 00-43222

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Description
The great groove and harmonies of The Chiffons take center stage in this Top Ten hit from 1966. Perfect for women's ensembles of any size.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
UPC: 038081487649
SKU: 00-43222

More about this title

Why we love this

The Chiffons' original is a pop landmark, and Jay Althouse's arrangement captures that infectious energy without sacrificing singability. Women's choirs at any size can own this groove, and the recorded accompaniment keeps everything locked in place while your singers focus on delivering those signature harmonies with confidence.

What to expect

Playful, charming, and undeniably groovy. The piece has that retro-pop shimmer that audiences recognize instantly, paired with the kind of close harmonies that make singers feel like they're part of something unified and swinging.

Who it's for

Women's choirs looking for repertoire that feels current and fun without being overly complicated. This works for high school groups, college ensembles, and community choirs seeking a crowd-pleasing showstopper with real musicianship underneath.

How to get the most out of it

  • Listen to the original recording together as an ensemble. The Chiffons' phrasing and rhythmic pocket are part of what makes this song work; your singers should understand the style before diving into the part work.
  • Keep syllables crisp and rhythms tight, especially in the repeated phrases. Pop music lives and dies on precision in the groove.
  • Balance the melody line so it breathes over the supporting harmonies. The hook needs to land clearly, but don't let the background vocals disappear.

How to use it

Drop this into a concert that mixes genres or as a palate cleanser between heavier classical work. It's also an ideal choice for spring pops concerts or any program where you want to showcase your ensemble's range and personality.

Skills your students will build

  • Singing in close harmony and maintaining individual voice parts within a cohesive sound
  • Interpreting pop style and understanding rhythmic feel versus strict notation
  • Listening and blending across multiple vocal lines
  • Performing with a recorded accompaniment while maintaining ensemble independence

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