Sweet Dreams (Are Made Of This) (arr. Deke Sharon) Sheet Music Preview

Sweet Dreams (Are Made Of This) (arr. Deke Sharon): SSAA Choral Octavo

As performed by Eurythmics / Arranged by Deke Sharon

Item: 35-DS00308557

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Additional Details
Publisher: Hal Leonard
Page Count: 8
SKU: 35-DS00308557

More about this title

About the Artist: Eurythmics

Eurythmics emerged from the post-punk landscape of the early 1980s as one of the decade's most innovative pop acts. Annie Lennox and Dave Stewart crafted a distinctive sound that blended synthesizer-driven arrangements with soulful vocals and sharp production, creating hits that dominated both radio and MTV. Their willingness to experiment with visual presentation and sonic texture made them influential across multiple genres.

Why we love this

Deke Sharon's arrangement captures the hypnotic quality of this synth-pop classic while making it work beautifully for SSAA voicing. The piece maintains the song's iconic melody and atmospheric character, giving your singers a contemporary tune that feels fresh in concert while offering genuine musical substance.

What to expect

Dreamy and propulsive all at once. The piece maintains that signature '80s synthetic shimmer through purely vocal means, creating an intimate sound that somehow feels both intimate and expansive. There's a hypnotic quality that draws listeners in while keeping energy moving forward.

Who it's for

Any SSAA choir looking to program accessible contemporary repertoire that audiences recognize and enjoy. This works equally well for high school and adult ensembles seeking a crowd pleaser with actual harmonic interest.

How to get the most out of it

  • Shape the melody with attention to phrase contours rather than treating each section as rhythmically mechanical; the tune needs to breathe even in its repetitive moments.
  • Balance the vocal texture so the upper voices don't overwhelm the harmonic foundation; Deke's arrangement benefits from clarity across all parts.
  • Lean into the production values of the original without trying to recreate electronic effects; let your voices define the musical landscape instead.

How to use it

Place this as a set closer or second-to-last number when you want to send audiences out in good spirits. It pairs well with other pop or contemporary arrangements and gives concert programmers a recognizable anchor point between more traditional choral works.

Skills your students will build

  • Sustaining tone quality through repetitive melodic patterns
  • Balancing part independence within a homophonic texture
  • Interpreting contemporary popular music idiomatically within a choral context
  • Maintaining rhythmic precision in minimalist harmonic settings

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