Sweet About Me (arr. Martin Cornelissen) Sheet Music Preview

Sweet About Me (arr. Martin Cornelissen): SSAA Choral Octavo

By Thad Jones / By Alec Wilder / As performed by Gabriella Cilmi / Arranged by Martin Cornelissen

Item: 35-DS00481456

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Additional Details
Publisher: Hal Leonard
Page Count: 131
SKU: 35-DS00481456

More about this title

About the Composer: Thad Jones

Thad Jones was a trumpeter, composer, and bandleader whose work bridged jazz and classical idioms with remarkable fluency. His compositions for big band and smaller ensembles became standards in both jazz and educational settings, prized for their sophisticated harmonies and memorable melodic lines.

Jones's legacy as an educator extends through the dozens of works he composed for student and professional musicians alike. His ability to write music that challenges players while remaining deeply musical made him a fixture in band rooms and jazz programs across the country.

Why we love this

Gabriella Cilmi's contemporary pop sensibility pairs beautifully with the sophisticated harmonic language Cornelissen brings to this arrangement. The four-part writing sits comfortably for women's voices while offering the chromatic color and jazz inflections that keep singers engaged and audiences surprised.

What to expect

Confident and assured, with the infectious hook of a pop song elevated through jazz-influenced harmonies. The arrangement maintains the original's radio-ready appeal while inviting singers to discover unexpected harmonic turns and color.

Who it's for

Women's choirs seeking contemporary repertoire with harmonic sophistication beyond standard pop arrangements. The 131-page format suggests this is a full collection or extended work ideal for intermediate to advanced ensembles.

How to get the most out of it

  • Balance the alto line carefully in the harmonic passages. The secondary harmonies often carry important color, not just support.
  • Shape the melodic phrases with attention to the original song's phrasing rather than breaking at bar lines. Let the text and contour guide your phrasing decisions.
  • Lean into the rhythmic precision during syncopated sections. The pop groove depends on locked rhythmic clarity across all parts.

How to use it

Anchor a pop or contemporary concert, or pair it with other Cornelissen arrangements for a cohesive set. The piece works equally well as a concert closer that sends audiences out humming or as a lighter program element between more classical selections.

Skills your students will build

  • Singing contemporary melodic material with pop phrasing and style
  • Reading jazz harmonies and chromatic voice leading
  • Balancing secondary harmonies in four-part texture
  • Rhythmic precision in syncopated pop grooves
  • Blend and balance in SSAA voicing

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