Sway (Quien Sera): Marching Band Conductor Score & Parts
By Norman Gimbel / By Pablo Beltran Ruiz / As performed by Dean Martin / As performed by Michael Buble / Arranged by Michael Brown / Arranged by Will Rapp
Grade: 3
Item: 35-PK00147148
$65.00
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Description
Recorded recently by Michael Buble, this version for marching band features a steady Latin groove throughout with short feature spots for the saxes and a trumpet soloist. Nice change of pace.
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Additional Details
Publisher:
Hal Leonard
SKU:
35-PK00147148
More about this title
About the Composer: Norman Gimbel
Norman Gimbel carved out a remarkable career as a lyricist and composer, crafting standards that have endured across decades and musical styles. His gift for accessible melody paired with sophisticated harmonic sensibility made him a trusted voice in popular song, with "Sway" standing among his most recorded works.
Gimbel's output spanned film scores, Broadway, and the Great American Songbook. His lyrics balanced singability with emotional depth, a combination that explains why his compositions remain staples for performers ranging from jazz legends to contemporary artists.
Why we love this
This arrangement strikes an ideal balance between accessibility and musicality. The Latin groove sits naturally for marching band, the solo features give your section leaders moments to shine without demanding virtuosity, and the overall pacing works perfectly when you need something polished but not overly complicated mid-season.
What to expect
Smooth and sophisticated, with an easy swagger that immediately communicates style. The arrangement invites players into a classic popular song without feeling stuffy, maintaining the romantic swing that made the original resonate across generations.
Who it's for
Grade 3 bands looking for accessible Latin repertoire that still demands musicianship. This works especially well for programs balancing concert season literature with marching show needs.
How to get the most out of it
- Establish the clave feel in sectionals before full ensemble rehearsal. The Latin pulse only locks when players truly internalize the underlying rhythmic pattern.
- Balance the brass against the saxes during their feature moments. The solos land best when the supporting ensemble sits comfortably behind them rather than competing.
- Work the trumpet solo with your featured player well ahead of performance. The solo benefits from personal interpretation and confidence within a charted framework.
How to use it
Drop this into a late-season concert program alongside your heavier concert band pieces. Its relaxed, refined energy creates a welcome breath and shows your audience the full range of your ensemble's capabilities beyond traditional wind band fare.
Skills your students will build
- Latin rhythm interpretation and clave awareness
- Solo playing within ensemble context
- Balancing accompaniment and featured parts
- Stylistic articulation and phrasing in popular music settings