Sway (Quien Sera): Choral Instrumental Pak
By Norman Gimbel / By Pablo Beltran Ruiz / As performed by Dean Martin / As performed by Michael Buble / Arranged by Kirby Shaw
Item: 35-PK00029965
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Description
Recently covered by Michael Buble, this setting of the Latin classic is brimming with style and sophistication. Performance Time: Approx. 3:00
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Additional Details
Publisher:
Hal Leonard
SKU:
35-PK00029965
More about this title
About the Composer: Norman Gimbel
Norman Gimbel is a lyricist and composer who shaped the sound of American popular music across multiple decades. His gift for crafting singable, memorable lyrics paired with sophisticated harmonic sensibilities made him a sought-after collaborator in film, television, and musical theater.
Gimbel's work on Latin standards and contemporary pop arrangements demonstrates his versatility and ear for what makes a song resonate across genres and generations. His contributions to choral and instrumental music have given educators accessible yet musically substantial material for performance.
Why we love this
This arrangement captures the allure of a standard that feels both timeless and current, especially given recent high-profile recordings. Kirby Shaw's orchestration strikes a careful balance between authenticity and accessibility, making it genuinely fun to teach without sacrificing musical substance or stylistic integrity.
What to expect
Smooth, confident, and rhythmically grounded. The arrangement wraps listeners in the classic warmth of a Latin ballad while maintaining the contemporary polish that recent cover versions have brought to the tune. Singers get to play with dynamic contrast and stylistic nuance within a compact three-minute span.
Who it's for
Choirs seeking sophisticated pop and Latin repertoire that programs well in concert settings and appeals to audiences of all ages. This arrangement works for intermediate to advanced ensembles with access to instrumental accompaniment or a capable pianist who can handle the Latin rhythmic foundation.
How to get the most out of it
- Establish the rhythmic swing early in rehearsal by isolating the Latin percussion patterns and having the ensemble lock into that foundation before layering in the vocal melody
- Pay attention to the lyrical phrasing in both English and Spanish passages; the emotional arc depends on singers treating these as natural speech rhythms rather than metered syllables
- Let the accompaniment track guide your tempo and groove in early rehearsals, then gradually encourage singers to own the feel so the final performance has organic energy rather than mechanical precision
- Highlight the interplay between solo and ensemble sections; these moments define the character and require clear communication about who has the lead in each phrase
How to use it
Slot this into a pops or multicultural concert where you want a showstopper that lands with general audiences. It also works beautifully as a closing number for a concert built around Spanish-language or Latin repertoire, or as a bridge piece that connects jazz and classical programming.
Skills your students will build
- Latin rhythm patterns and syncopation
- Lyrical phrasing across English and Spanish text
- Blend and balance in combo voicing
- Stylistic interpretation in pop and jazz contexts
- Following instrumental accompaniment cues