Sway Cover Image

Sway: Choral Works (Secular) - Mixed Voices

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Sway Cover Image

Sway: Choral Works (Secular) - Mixed Voices

Arranged by Alexander L'Estrange / Composed by Pablo Beltran Ruiz, and Luis Demetrio Traconis Molina

Item: 98-EP73623

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Description

A fantastic arrangement by Alexander L'Estrange of Luis Demetrio and Pablo Beltran Ruiz's classic piece that makes for an entertaining stage performance piece. Arranged for unaccompanied SSAATTBB, this 4-minute sultry Latin groove is perfect for dance-themed or jazz programming.

Alexander L'Estrange is a multi-faceted composer, arranger, jazz musician and choral animateur who has been dubbed 'the added 9th of choral music'.

Part of the VOCES8 Singles range.

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Additional Details
Series: Edition Peters
Publisher: Edition Peters
ISBN10: 0-57-702210-5
ISBN13: 979-0-5770-2210-9
SKU: 98-EP73623

More about this title

About the Composer: Luis Demetrio Traconis Molina

Luis Demetrio Traconis Molina and Pablo Beltran Ruiz composed "Sway" (originally titled "Quien Sera") in the 1950s, creating one of Latin music's most enduring standards. The piece emerged from Cuba's golden age of songwriting and has since become a fixture of jazz and popular music worldwide, recorded by artists from Dean Martin to Michael Bublé.

Their composition captures the essence of the Cuban son and mambo traditions, blending sophisticated harmony with an irresistible groove that has made it a favorite for both concert and social dance contexts across generations.

Why we love this

Alexander L'Estrange's arrangement strips away nothing essential while giving the piece new life for eight-part mixed voices. The unaccompanied writing demands genuine musicality and rhythmic precision from your singers, and the four-minute arc moves with theatrical confidence. This works equally well as a concert closer or a dance-themed showcase that audiences genuinely want to hear.

What to expect

Sophisticated and playful at once, with the swagger of a classic Latin ballroom number translated into pure vocal texture. The unaccompanied voices create intimacy while the groove propels everything forward; it's sultry without being heavy, and charming without losing its edge.

Who it's for

Any mixed choir with solid sight-reading skills and comfort with syncopated rhythms will find this arrangement rewarding. It suits choirs building confidence in Latin styles and contemporary choral arranging, as well as programs seeking a secular piece with genuine entertainment value and musical substance.

How to get the most out of it

  • Shape the Latin rhythm with forward motion through each phrase rather than overemphasing beats; let the groove carry the weight.
  • Balance the soloistic moments (if any are scored) with the full ensemble sound so the sultry character reads across the room.
  • Rehearse the inner voices independently first, then layer in the outer parts; this eight-part texture needs clarity in each strand.
  • Commit to the tempo and keep it steady throughout; any wavering disrupts the groove that makes this arrangement work.

How to use it

Slot this into a concert that celebrates jazz standards or Latin music, where it anchors a thematic set. It also serves as an excellent finale to a mixed program, sending audiences out with energy and polish. The four-minute length makes it perfect for a concert closer or a showstopping moment in a longer evening of choral music.

Skills your students will build

  • Reading SSAATTBB divisi within a syncopated Latin groove
  • Balancing blend and independence across eight independent voice parts
  • Interpreting jazz and Latin phrasing without instrumental accompaniment
  • Maintaining rhythmic integrity in complex, syncopated textures
  • Sustaining forward momentum and groove in a cappella settings

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