Suzuki Viola School, Volume 7: Viola Book & CD

The recorded performances set the standard for how students should hear and internalize each piece before learning it. Preucil's interpretations balance clarity with musicality, offering a model that respects both the pedagogical purpose of the material and its artistic integrity.

A curated journey from dance suites and sacred music to virtuosic concertos, each piece polished and purposeful. The sound throughout is warm and singing, with the viola's natural resonance at the center of every interpretation.

Suzuki viola students advancing through Volume 7 of the method, typically in their fourth or fifth year of study. This book serves serious students ready to engage with Baroque and Romantic repertoire that demands greater technical facility and musical maturity than earlier volumes.

• Listen to the complete Suite in A Major multiple times before attempting it, absorbing the articulation and phrasing patterns that define each movement.
• Pay attention to how Preucil shapes the longer lines in Après un Rêve; the sustained bow control and dynamic contour here transfer directly to concert-level expression.
• Study the ornament executions in the Handel Concerto's opening movement. The recordings make clear how to approach these figures cleanly without sacrificing forward motion.
• Use the Corelli Allegro as a rhythm reference, especially for the running sixteenth-note passages that benefit from steady, even subdivision.

These pieces work equally well as recital material for advancing students and as supplementary solo repertoire during group classes, where younger students benefit from hearing sophisticated playing modeled by their peers.

• Sustained singing lines across multiple phrases with consistent tone production
• Baroque ornament execution (trills, turns, appoggiaturas) at tempo
• Bow distribution and weight management in longer passages
• Stylistic distinction between dance forms (Gavotte, Tambourin, Menuett) and lyrical song pieces
• Intonation precision in chromatic and modulatory passages
• Rhythmic security with running sixteenth-note figures