Suzuki Viola School, Volume 3 Cover Image

Suzuki Viola School, Volume 3: Viola Book & CD

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Suzuki Viola School, Volume 3 Cover Image

Suzuki Viola School, Volume 3: Viola Book & CD

International Edition

Viola performed by William Preucil, Sr. / piano accompaniment performed by Doris Preucil

Item: 00-40691

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Description
Teach viola with the popular Suzuki Viola School. The Suzuki Method® of Talent Education is based on Shinichi Suzuki's view that every child is born with ability, and that people are the product of their environment. According to Shinichi Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Students are taught using the "mother-tongue" approach. Each series of books for a particular instrument in the Suzuki Method is considered a Suzuki music school, such as the Suzuki Viola School. Suzuki lessons are generally given in a private studio setting with additional group lessons. The student listens to the recordings and works with their Suzuki viola teacher to develop their potential as a musician and as a person. This Suzuki Book & CD, Volume 3, is integral for Suzuki viola lessons and features recordings by William Preucil, accompanied by Doris Preucil.

Titles: Study Points * Tonalization * Vibrato Exercises * Gavotte (Martini) * Minuet (Bach) * Gavotte in G Minor (Bach) * Humoresque (Dvorák) * Gavotte (Becker) * Gavotte in D Major (Bach) * Bourrée (Bach).

For a complete list of the most recent printings by AMPV number, go to alfred.com/suzuki. This title is available in MakeMusic Cloud.

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Sample Pages

Sample Audio

02_Minuet_Bach

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Sample Video
Additional Details
Series: Suzuki Viola School
Publisher: Alfred Music
Page Count: 24
ISBN10: 0-7390-9707-5
ISBN13: 978-0-7390-9707-6
UPC: 038081461533
SKU: 00-40691

More about this title

About the Artist: William Preucil

William Preucil is a distinguished violinist and pedagogue whose recordings anchor the Suzuki Method's instrumental series. His artistry bridges the gap between solo performance and educational content, bringing nuance and technical clarity to foundational repertoire that students will study for years.

Why we love this

Preucil's interpretations set the sonic standard for this repertoire without over-romanticizing it. Students hear clean articulation, balanced vibrato, and tasteful phrasing on every track, which makes independent practice more focused and productive. The recordings model exactly what careful, musical playing sounds like at this stage of development.

What to expect

The repertoire shifts toward more expressive terrain. While early books establish posture and basic note-reading, Volume 3 introduces students to genuine musical problems: phrasing, ornamentation, and the bloom of a maturing vibrato. The Baroque pieces, Bach, Martini, Becker, teach contrapuntal listening and independence.

Who it's for

Volume 3 serves viola students with at least two books of Suzuki training behind them. This is where serious tone development and vibrato begin in earnest, making it suitable for students aged 7 and up who have demonstrated consistent practice habits.

How to get the most out of it

  • Listen to the recording before each practice session so the target sound is fresh in your ear.
  • Work the vibrato exercises systematically before attempting them in context; don't rush the integration into the Baroque pieces.
  • Approach the Bach gavottes as conversations between lines rather than technical exercises. Notice where Preucil shapes the phrasing.
  • Use the accompaniment tracks to build steady ensemble awareness, especially important before moving into group Suzuki settings.

How to use it

Integrate this into group Suzuki lessons by having students learn the same pieces together, then arrange the simpler items for viola ensemble during group instruction. The recordings support both private lesson accountability and home listening between sessions. Students ready for recital material will find several polished pieces here.

Skills your students will build

  • Vibrato technique (starting from the wrist, building speed and width gradually)
  • Reading Baroque ornamentation and articulation markings
  • Phrasing and breath-like direction in legato passages
  • Independent melodic line awareness in pieces with accompaniment
  • Tonal refinement through focused tonalization studies

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