Suzuki Recorder School (Alto Recorder), Volume 1 & 2 Cover Image

Suzuki Recorder School (Alto Recorder), Volume 1 & 2: Digital Audio Download

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Suzuki Recorder School (Alto Recorder), Volume 1 & 2 Cover Image

Suzuki Recorder School (Alto Recorder), Volume 1 & 2: Digital Audio Download

Recorder performed by Marion Verbruggen, Viola da gamba performed by Mary Springfels, Harpsichord performed by Arthur Haas

Item: 00-AA-0000151

$15.99
Digital Download
Description

Suzuki Recorder School (Alto Recorder), Volume 1 & 2: Digital Audio Download isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

No sample pages found.

Sample Audio
1 01 One Bird, Variation A --:--
2 02 One Bird, Variation B --:--
3 03 Now We Sing --:--

01 One Bird, Variation A

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Sample Video
Additional Details
Series: Suzuki Recorder School
Publisher: Alfred Music
UPC: 038081363158
SKU: 00-AA-0000151

More about this title

About the Creator: Shinichi Suzuki

Shinichi Suzuki revolutionized music education by building a method around the idea that any child could learn music the way they learn language: through listening, repetition, and parental involvement. His recorder materials apply the same philosophy that made his violin method a global standard: sequential skill-building, ear training from day one, and repertoire that grows progressively in musical and technical sophistication.

The Suzuki Recorder School materials have become foundational in early music instruction because they treat the instrument seriously while remaining accessible to young beginners. Suzuki understood that early success builds confidence, so these volumes balance encouragement with genuine musical content.

Why we love this

The Suzuki method teaches entirely through carefully sequenced repertoire, and these audio files remove the barrier of finding reliable recordings for practice at home. Students hear the exact articulation, phrasing, and tempo they should internalize before attempting each piece, which accelerates progress and builds confidence between lessons.

What to expect

Clear, well-articulated performances that model the gentle expressiveness and precise technique the Suzuki approach demands. Every phrase has shape and intention, inviting students to listen not just for accuracy but for musicality from the very beginning.

Who it's for

Young recorder students working through the Suzuki Recorder School curriculum who need reliable home practice support. Teachers using the Suzuki method with alto recorder students in private lessons or group settings will find these recordings essential for reinforcing what students learn in the studio.

How to get the most out of it

  • Listen to the recording multiple times before opening the score so your ear absorbs the musical shape first, not just the notes.
  • Play along with the audio at a comfortable tempo, then gradually match the recorded speed as accuracy improves.
  • Use the recording to check your intonation and phrasing, especially in sustained passages where recorder tone quality matters most.
  • Practice sections without the audio periodically to ensure you're internalizing the music, not simply echoing the recording.

How to use it

Students should listen to each piece daily as part of their home practice routine, alongside working with their teacher on technique and interpretation. The recordings ensure consistent reference material across all students in a group class, making rehearsals more efficient when everyone arrives having heard the target sound.

Skills your students will build

  • Listening to and internalizing accurate intonation and articulation before playing
  • Matching recorded tempo and phrasing while building independence from the audio
  • Developing tone quality by comparing their own sound against a model performance
  • Understanding musical phrasing and expression through careful listening
  • Building confidence in solo repertoire through repeated exposure to a reliable reference

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